Shades of Blue and By Example

Hi guys,

I have two very different poems for you to read today. One was just published at a really cool online literary journal, Hello Horror. That poem is available to read online for free in issue three. It’s a free verse poem called “Shades of Blue.” I’m very happy that this creepy little number has found such a beautiful home, and I hope you’ll take a moment to go read it!

Now, turn 180°…

I’ve also had the rights revert back to me on a poem that was first published in the National Federation of State Poetry Societies’ prize anthology Encore. In 2012, my poem “By Example” won second place in the Indiana State Federation of Poetry Clubs Award. And since that book was printed instead of published online — and I hate asking people to buy things — I’m going to share it with you here today. (But NFSPS is an amazing organization, and you really couldn’t go wrong buying any of their publications, for what it’s worth.)

It does seem like good timing to share this one, since yesterday was Father’s Day and tomorrow will make five years since my dad died. It’s hard for me to believe it’s been so long. This month he’s very much on my mind, which is why I’ve been somewhat MIA lately. So I hope you’ll forgive both a delay in my responses and a sentimental poem. (For any who’re wondering, this poem is called a rondeau – my very favorite of all the fixed forms.) Okay, poem below.

By Example

You taught me how to work by hand
to build a tree-house on our land
and how to never be afraid
to try new things – with spoon or spade;
you always had a project planned.

The use of oil, rubber bands,
some fishing line, gray duct tape, and
an always sharpened pen-knife blade:
you taught me.

To never buy the fancy brand;
when fresh is better than pre-canned;
that no employer can degrade
a worker who is all self-made;
that pride and humor share a strand:
you taught me.

© Annie Neugebauer, 2012
All rights reserved.

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What Is Horror?

Thanks to horror being one of my genres of choice – both as a fan and as an artist – I’m often in the position of having people ask me my thoughts about it, which, of course makes me ridiculously happy because there are few things I enjoy talking about more than horror. Classic books, movie releases, books that get some buzz, the genre as a whole… I love it all. But no matter what prompts the discussion, there’s one idea that invariably comes up: the difference between horror and good horror.

In fact, it happens so frequently that I’ve decided to blog about it. Fancy that.

Which horror works (movies, books, etc.) are “good”? What do I like? What are my favorites, and why? This, of course, leads to a discussion of bad horror. One that comes up incessantly is the 2005 film Hostel. I can’t tell you how many people I’ve heard say, “I don’t like that torture porn stuff. It’s just gross. That’s not horror.”

That’s not horror? I beg to differ.

I think what they mean to say, “That’s not good horror.” And since ‘good,’ as we all know, is highly subjective, what they really mean to say is, “I don’t like that type of horror.”

The most basic definition of horror as a genre is: fiction that aims to frighten, disturb, or unsettle its readers (or viewers).

The key word here is ‘aim.’ Why? Because fear, too, is subjective. What absolutely terrifies me might make you snicker. What keeps you awake at night might not give me a moment’s hesitation. Just think about discussing horror movies with your friends. Chances are you don’t find the same ones scary. (And if you do, you should become viewing buddies because that’s awesome.)

If the most basic intent of horror is to scare readers, and different readers are scared by different things, all horror, necessarily, won’t work for some people while it does for others. Are some fears more universal than others? Sure. But that doesn’t mean non-universal fears “aren’t scary.” They are to someone.

Perhaps violent, graphic depictions of physical torture don’t scare you. Personally, they just gross me out – which I’m utterly unimpressed with. But that doesn’t mean that Hostel isn’t a horror movie. Because you know what? Being captured in a foreign country and tortured is some people’s worst fear. Those people can’t get Hostel out of their damn minds; it haunts them. Which, by definition, makes it good horror – for them.

I found Paranormal Activity to be the scariest horror movie I’ve ever seen. I have friends who laughed their asses off because they thought it was so lame, boring, and cheesy. Now part of that has to do with your mindset going in to a movie and who you see it with, etc. (hard to remain frightened when your friends are cracking one-liners throughout, or if you have all the lights on while your spouse bakes cookies in the background), but part of it just has to do with our individual fears. I’ve always been afraid of the dark and the empty space beyond my covers when I go to bed – so Paranormal Activity pushed my buttons. Slither, on the other hand, did nothing for me. What can I say? I’m not afraid of slugs.

So when I get into these wonderful conversations about horror and the books and movies that fuel it, and I hear someone say, “That’s not horror,” I want to stop them right there.

Think about it this way: would you do this in other genres? I’m not a fan of cryptic, highfalutin poetry that feels more intellectual than emotional… but you would never hear me say, “That’s not poetry.” You’d hear me say, “That’s not for me.” Likewise, do you hear fantasy fans claiming that mermaid fiction isn’t fantasy? No. You might, however, hear them say, “Mermaids just aren’t my thing.”

Let’s give the same respect to the genre of horror fiction. Horror is discriminated against enough without those of us who love it trying to exclude others who love it. Subjectivity is a wonderful thing, and everyone has a right to their own tastes. If you hate slow, psychological ghost stories, by all means; hate slow, psychological ghost stories. But don’t claim they aren’t horror. Say it how it really is: “That type of horror isn’t for me.”

Deal?

Okay, that’s enough for this time. Some time I would love to cover the many different types of horror (a list of subgenres with my some definitions and explanations). And perhaps another time I’ll talk a bit about what good horror means to me personally.

Like this post? Check out all posts in the What is Genre? series!

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Something You Don’t Want to Find

Hi guys!

Just a quick note to let you know I have a short story out today at Buzzy Mag, a big online hub of speculative fiction! This story is commercial horror, so the especially light-hearted of you might want to skip it, but I hope the rest of you will stop by and give it a look.

For the record, that’s not a picture of me. (lol!) I suppose it does kind of look like me, but it’s just the stock photo they chose to go with my story.

“Something You Don’t Want to Find” involves scorpions, an unusual carnival, and a fantastic case of the creeps. You can read it for free here.

At first I wasn’t crazy about the ads being within the length of the story because it makes it a little harder to read – but then I realized that’s how they’re able to pay writers like me! (And professional pay at that, which is super important for my HWA status, so color me grateful.)

I hope everyone has a wonderful weekend,

Annie

PS- Comments are closed here in hopes that if you feel like leaving one, you’ll leave it at the end of my story instead. That way Buzzy Mag knows I’m getting readers, etc.

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When Does a Writer Become an Author?

I was up against a strange decision last week as I was creating my new public Facebook page: should I choose the term “writer” or “author” as the type of page I was setting up? (Spoiler: I chose author, switched to writer, went back to author, then decided on writer… for now.)

I’ve touched on this topic before when I guested for Patrick Ross, in my post “What the Heck Should I Call Myself, Anyway?” The crux of the matter is this: A writer is anyone who writes. An author is a writer who’s been published. Seems pretty simple, right?

Ha. Ha. Ha.

The problem: What the hell does “published” mean? As I established in my blog for Patrick, there’s no one out here setting up criteria for different terms and handing out certificates of authenticity. At the end of the day, it is up to each of us as individuals to decide what terms to use for ourselves and our work. Which can be pretty scary.

Technically, posting something on your blog counts as publication. I know this because 1) the button you push says “publish,” and 2) contests and venues that don’t want “previously published works” usually won’t accept anything that’s been on your blog. So if someone slaps a short story up on their website, does that make them a published author?

My gut instinct is, “Yes, technically, but no, not really.” But who am I to say?

For me, a better defining line is having someone else publish my work. The more credible, established, and exclusive that someone else is, the more confident I feel in considering that “publication.” (Just keepin’ it real.) So having my little micro-fiction piece published at Six Sentences was awesome, but I didn’t start calling myself an author after that. But after having four short stories accepted for publication – two of them at professional rates – I do feel comfortable calling myself a short story author. [Random side note: interesting how a poet is a poet regardless of publication.]

Of course that definition only works for me because I’m seeking traditional publication. Self-published authors must have some other defining line, but what?

Either way, the Facebook page doesn’t allow me to specify which types of publication I’ve achieved as I have elsewhere (like in the note under my headshot up in the sidebar, for example). They want one word, and only one word. I am a novelist because I write novels, a poet because I write poems, and a short story author because I have short stories published. But what am I when I can only chose one term?

Writer, or author?

I guess in my mind, if I’m only choosing one of those terms as a defining label, an author is someone who has had not just short works published, but a whole book. A novel. A collection of short stories. A full-length book of poems. Or, to use the term “author” with “debut” implied, someone who has sold such a book that’s schedule to come out.

I also think it’s worth noting that I’m more concerned about this and a lot harder on myself than I am for other people. When someone’s profile says “author” or “writer,” I generally don’t give it a second thought. I have no problem with other people creating their own definitions; I just struggle to find mine. And yes, I know I’m running the risk of coming across as totally neurotic, but for the record, this is less of an obsession and more of a topic I thought would make for good discussion.

I have an agent (yep, love saying that), I have many long works completed, and I have quite a few short works published… but I still can’t quite bring myself to say “I’m an author” instead of “I’m a writer.” Maybe when I’ve sold a book I’ll update the Facebook page. But for now, I think I’m going to stick with writer.

Readers: What do you think about all of this? As a reader, do you care, or even really notice?

Writers: What term do you use for yourself? And what was your defining line? Are you comfortable with your own terminology?

Posted in The Business | 15 Comments

Oooo, Puddles!

My blog is this dog, and I’m the little kid who’s like, “Brb, gotta go play in this puddle!” The fun puddle, of course, being Writer Unboxed.

So come play with me! My newest Twitter column is called “Everything You Need to Know About the Retweet.”

Hopefully my blog-doggie won’t mind hanging out for a bit. And hopefully I’ll pick the leash back up next week. (See what I did there? Gif metaphors FTW!)

<3

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