The A.N. 10 #9: 2Spooky, the Rhyming Edition

My ninth pick for The A.N. 10 is great timing for October. *evil smile* Who says poetry can’t be horror? “Scarcely Caged” is an oldie but a goodie, and one of the only poems I published directly to my blog first (as opposed to reprinting poems that appear elsewhere after they’re already out). The reason I did it that way was to show the “Evolution of a Sonnet” from conception to final polish.

My Sonnet Building series of posts is one of my most popular, but it’s five posts long and a bit of a commitment, not to mention specific to poets who want to try their hand at sonnets. The evolution post is just one, and it shows you step by step on an actual poem. So if you’re interested in how I write sonnets–specifically the one I’m sharing today–feel free to check that one out.

But the poem itself, “Scarcely Caged” is what I’m making my ninth pick, because even non-poets, non-writers, and (I like to think) non-poetry-readers can enjoy it. It takes just a few moments to read, and lots of people have had delightful reactions over the years. So go get a little chill with your rhyme!

The link is below. And don’t forget to subscribe to my blog to get the very last (October-friendly!) “A.N. 10” highlight in your email! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


Scarcely Caged


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The A.N. 10 #8: Going Goth (I.e. That Post that Peaked after Crimson Peak)

Happy October!! I know for the past few years I’ve done my #BooksBrewBoo giveaway during October, but this year my plate’s a little too full to manage that, so I’m finishing off my A.N. 10 highlights with three seasonally-appropriate posts. Boo!

My eighth pick for The A.N. 10 is my third pick from my What Is Genre? series of posts. I just really, really love discussing and analyzing fiction genres. (Which reminds me that I’m probably past due for my next in the series. What to cover? Hmm…)

“What Is Gothic Fiction?” was a fun one because I’d already spent so much dang time researching the topic on my own that writing the post was just plain easy. I don’t know why, exactly, I’ve always been so drawn to gothic novels, but I have. I’ve read all the most important pieces in the literary canon and read up on the history, etc. I’ve written many different blogs on the topic, too, besides this one. There’s just something about a perambulating skeleton, you know? 😉

“What Is Gothic Fiction?” had a fun little resurgence when Guillermo del Toro released Crimson Peak in 2015. He kept saying, “It’s gothic, not horror!” and everyone kept asking, “Okay but what’s the difference?!” My post came in pretty handy then. If you’re still confused about what makes a story “gothic,” it might come in handy now, too! Fortunately for me and the small but passionate club of gothic enthusiasts, gothic fiction isn’t going out of style any time soon, and neither is this post.

The link is below. And don’t forget to subscribe to my blog to get the final 2 (October-friendly!) “A.N. 10” highlights in your email! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


What Is Gothic Fiction?


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NOT The A.N. 10: My New Class ‘Write the Pitch’ at LitReactor!

We interrupt this regularly scheduled programming to bring you an important announcement…

You have only one week (or less!) left to sign up for my brand new LitReactor course Write the Pitch Before You Draft. You guys, I am SO excited to teach this class. Truly. I love teaching. I love writers. And I love this method for planning a novel. I figured it out years ago and use it every single time I write a new book. It saves me time, heartache, and beaucoups revisions. And now I’m going to show you how too.

Let’s back up. What is it? It’s a four-week online class that I’m teaching at LitReactor.com that will help writers who are planning to write a novel. It starts October 3. It’s for all levels of writers, first novel or twentieth. You can use it at any stage of your process, including revisions, but this course is designed for people who have some early ideas about what they want their book to be but haven’t figured it all out yet, or at least haven’t gotten far into the drafting process. (Started and stuck is fine!) It’s not another plotting method; it’s compatible with any method you already love or even with pantsing (no method). It’s larger than that. I call it master planning.

The essential idea is to write your pitch (query letter, editorial pitch, or back cover copy/blurb) before you write your book itself. I’ll teach you in class what the important components of a good pitch are, because it turns out that those components are the same ones that make a solid, salable novel too. I’ll walk you through step by step about what you need, how to use what you have to fill in what’s missing, how to position the components for maximum payoff, and how to avoid the most common pitfalls. It saves you serious time during revisions to do your legwork up front. And a crazy cool bonus is that once you’ve created this master plan to write from, you’ve also finished your pitch itself. You’ll leave this class with a complete, polished pitch that will be ready to go once your book is done.

Four weeks. Four online lectures. Four assignments—and four bonus assignments. Challenges to help you grow as a writer. Hard work. A forum of other writers to help and get help from. Personal feedback from me, plus answers to all the questions you need to ask. A solid pathway to start your next WIP, whether that be this November for NaNoWriMo or next year. And a pitch to send it off with.

I truly believe that if you put in the time to master this method, you’ll never go back to skipping the planning. I haven’t.

Are you ready? Check out specifics including a detailed course plan, pricing, and more at LitReactor.com. Questions about the class itself? Hit me up here in the comments, email, or message LitReactor directly. 

I’d love to see you in class this October! Please share with your writing friends. ♥

Now back to our regularly scheduled programming. 😊

 

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The A.N. 10 #7: A Novel Label, or Redundant Redundancy?

Have you ever wondered why some books have a subtitle-ish phrase under the title that just says “a novel”? Even when it’s obvious it’s a novel? Lots of people have.

My seventh pick for The A.N. 10 is an older post that still gets tons of search traffic. “Why Some Novels Say ‘A Novel’ on the Cover, and If Yours Should Too” is yet another post where I took something that seemed clear to me and broke it down for others. I guess I have a knack; I just love dissecting topics, and I love teaching!

This was one of my first infographics, too: a flowchart to help writers decide if they, too, would like “a novel” written under their titles. The graphic is a little old-school, but I haven’t redone it because it still gets the job done. And I remember it taking me forever. It might’ve even been before I had Photoshop, much less knowledge of cool free graphic-making aids. Paint? I shudder to imagine.

But don’t worry, the content is still solid. 🙂 I’m proud of this one, and happy about how many times people googling a specific question have stumbled on my answer.

The full post is linked below. And don’t forget to subscribe to my blog to get the final 3 “A.N. 10” highlights in your email! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


Why Some Novels Say “A Novel” on the Cover, and If Yours Should Too


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The A.N. 10 #6: The Great American Novel is a Horror Novel (Deal with It)

My sixth pick for The A.N. 10 reaaaaally makes me want to re-read a favorite novel. “Thoughts on Beloved by Toni Morrison and Horror’s Literary Problem” is one of those posts that hasn’t gotten enough attention. Not that my post is just that amazing (honestly, it’s mostly fangirling!), but because the topic is so important and I wish I could make more people take notice.

The most important part is that Beloved is incredible. It’s a top-top book, and I talk all about why in the post. But there are also issues of bias, discrimination, genre, and literature tied up in it. Y’all know how passionate I am about this stuff. I hope you’ll go give it a read (or re-read), and then I hope you’ll pick up Beloved if you haven’t already.

The post is linked below. And don’t forget to subscribe to my blog to get the final 4 “A.N. 10” highlights in your email! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


Thoughts on Beloved by Toni Morrison and Horror’s Literary Problem


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