Hindsight is 2020 (in Review)

Life. <–This was my placeholder intro paragraph when I was pulling together the content for this post, but I think it pretty well sums it up, doesn’t it? Life. 2020. Whew.

It’s time for my end-of-year wrap up. I’ve been stalling a while now because I have two publications that might be out before the end of the year, or might get bumped into 2021. (For anyone reading for awards considerations, that effects eligibility.) But I can only delay so long. If one or both of those come out between now and the 31st, I’ll update here ASAP. [Note 12/21: “A Newborn Thing” has been added below!] If not, they’ll stay under the ‘forthcoming’ section. So that makes this year’s Annie Neugebauer reading short and sweet. 

Below you’ll find one original short story and two three original poems, plus one reprinted short. At the bottom are links to my blog posts, plus what’s coming out next year.


The Problem with Being a Monstershort fiction

Glug is a monster longing for human connection. When stealing a human doesn’t make him feel better, he befriends a woman who’s drawn by his monstrosity.

Stealing the baby had been a mistake. Glug knew that now. At the time he’d thought no one would notice. It was just a little one, after all.

“The Problem with Being a Monster” was published in the all-women anthology Not All Monsters by Strangehouse Books. It’s a quirky story that took its own path once it got going (as any good story is wont to do), but I started out aiming for that sweet spot between funny and scary that “Subsoil” by Nicholson Baker lands so beautifully. I think mine ended up more between funny and sad with a dash of macabre, but I’m not mad about that. You can order a copy at Amazon. 


Red, Red, Redpoem

“Red, Red, Red” is an eerie poem about, well, strange and scary things that happen when the rain turns red. It was published in the Horror Writers Association Poetry Showcase Volume 7.

Remember when lightning tore the sky open
and blood poured down
beneath the agonized screams
of thunder?

You can get a copy of the Showcase on Amazon in print or ebook, chock full of beautiful and distrubing poems by wonderful poets.


A Newborn Thingpoem

“A Newborn Thing” is a poem about poems, which is one of my favorite indulgences. I happen to really love this one, and I love where it landed, too.

I suspect a poem is a newborn
mewling thing,
standing on legs still wet with wobble.
I suspect there are three
ways to grow it.

You can read my poem for free on Liminality’s website, in their winter 20-21 issue.


Things That Are Always Herepoem

A free verse piece I published on my site. 

My breath,
as close as always can be.
More right than wrong;
I am breathing.
I am here.

You can read it in its entirety here on my blog.


Redlessreprinted short fiction

The color red goes missing from the world.

It’s the stop sign that finally does it.

I love this crazy little flash piece. You can buy Year’s Best Hardcore Horror Volume 5 on Amazon in print, ebook, or audiobook. Listening is a blast; the narrator gives my story a Poe sort of flavor that I love.


Nonfiction (Blog Posts)


Forthcoming in 2021

  • “White Paint,” Cemetery Dance Magazine #78
  • “If Those Ragged Feet Won’t Run,” Apex Magazine Issue 122
  • “Vestige,” reprint to be announced

To everyone who has found time to read any of my work during this crazy year, thank you. Thank you, especially, to those who have shared it, reviewed it, or sent me messages. As always, your positive feedback means the world.

I hope the end of 2020 is kind to you.

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Things That Are Always Here

Things That Are Always Here

My breath,
as close as always can be.
More right than wrong;
I am breathing.
I am here.

Sounds,
for as long as my hearing holds out.
There are noises:
a passing train, trees creaking in the wind,
my breath,
cats purring, the dishwasher’s hum.

My grief,
a part of me
that I can focus on
like my feet against the ground,
my hands on my lap,
or the sudden awareness of skin.

Gratitude,
with hardly any hunting—
just remembering,
mindful again and again and again
of how wonderful
these things are.

© Annie Neugebauer, 2020Share this:

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Women in Horror Month 2020

Happy, happy Women in Horror Month! This February is the 11th annual WiHM. I have some great stuff going on this year, including several bits of news!

My story “The Problem with Being a Monster” is coming out in Not All Monsters this October. Editor Sara Tantlinger is hosting a roundtable interview on her blog with some of the (all-female) authors to celebrate WiHM, including me. You can read the first question + answers here, and follow along as the month goes on to find out even more about this gorgeous anthology! [Edit: Parts 1, 2, 3, and 4.]

Happy, happy news: My flash story “Redless,” first published in The Binge-Watching Cure II, has been picked up for Year’s Best Hardcore Horror Volume 5! This will be my third year working with Red Room Press in this series, and it’s an absolute blast. I can’t wait!

I’m really honored that Grimscribe Press has chosen my story “The Filling” from Vastarien Vol 2, Issue 3 for submission to the Shirley Jackson Awards! How cool is that? You can read “The Filling” for free at this Dropbox link. (Tangentially, you can read my rave about Jackson herself here. And if you enjoy my enthusiasm for masterclass female horror authors, don’t miss “Thoughts on Beloved by Toni Morrison and Horror’s Literary Problem.”)

If you follow women in horror with any regularity, you’ve probably by now come across the amazing team at Ladies of Horror Fiction. I adore these folks and the work they do to bring well-earned attention to the women killing it in the genre. So of course when they invited me to write a guest post for their blog this WiHM, I said yes! Look for my post later this month, and be sure to follow LoHF around the web. [Edit: Here’s my post “Women in Horror.“]

Here’s the fun, shocking (to me at least!) way to share this next bit: someone created an Annie Neugebauer Wikipedia page. Um, what?

Okay so my friend Kelsey saw the tweet that explains why the heck someone I don’t know bothered to fill out a page about my writing. The answer is the actual reason why I’m sharing this (pure delight not quite outweighing the ick factor of perceived bragging all on its own—another feminist issue I regularly do battle with). It’s part of a movement called Wiki Women in Red, which aims to close the gender gap on Wikipedia. Did you know that less than 20% of the biographies there are about women? Less than a fifth. That’s a big deal when you realize that Wikipedia is the biggest and most used general reference on the World Wide Web.

Some pretty badass folks are working toward equality in this representation, and for some reason I was one of the authors added. (I have no idea. Please allow me my pure delight.) What an amazing way to honor your favorite authors this Women in Horror Month! Love someone’s work? Search to see if they have a page. If not, adding it would be a fantastic way to support them. I know it feels super valuable to me. ♥

If contributing to Wikipedia isn’t in your repertoire, last year on LitReactor I shared more ideas in “9 Ways to Celebrate Women in Horror Month.” The year before that I spotlighted “20 Women in Horror: Recommended Reading.” (Reading work by women writing horror is always a good way to go.)

Here on my blog I’ve also published “8 Authors to Follow: the Women in Horror Edition” and “Why Women in Horror Month Is Important.” One year editor Simon Dewar interviewed me on his blog.

So far at LitReactor for WiHM I’ve interviewed Lisa Morton on Women in Horror, Juggling a Broad Career, and Becoming a Halloween Expert and Sarah Read on “The Bone Weaver’s Orchard”, Horror, and Knitting.

Which brings me to my final bit of news for this February. This year on LitReactor I’m continuing my mini-tradition of spotlighting contemporary women in horror by interviewing the co-authors of Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction, Lisa Kröger and Melanie R. Anderson. I am so excited for this one. Not only are these two amazing, hardworking women who write, they’re writing about women who write horror! Could Women in Horror Month get any more apt? This nonfiction book is phenomenal, and if you haven’t already, the interview with these two will make you want to check it out, and I think that’d be just a perfect way to celebrate. [Edit: Here’s the Interview with Lisa and Melanie!]

How about it, folks? What are you doing this year to celebrate Women in Horror Month 11? I’d love to hear all about it in the comments!

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2019 in Review (My Awards Eligibility List)

It’s not really the end of the year yet, but everyone is reading for the end-of-year nominations, awards, and best-of anthologies, so now is the time to highlight my eligible work from this calendar year. And yes, like everyone else apparently, I find this quite awkward. I believe in the hustle, though, and I’m soothing myself with the fact that this post also serves as a roundup for anyone and everyone who might simply want to see what they’ve missed/what’s new. ♥

I’ve been casing our local Barnes & Noble for these all year. I get contributor copies, yes, but there’s still just something so special about seeing a book with your name in it in person on a store shelf. It’s simply thrilling! I hope I never get tired of that. Of course many of these works are available to read online for free, but if, like me, you like to hold pages in your hands, some of these are truly gorgeous and well worth a little spending money.

Below you’ll find 1 novelette, 7 short and flash stories, 3 poems, and 3 story reprints. If any of the works that aren’t free are on your reading list to consider for nomination, you’re welcome to email me at annie_07@alumni.utexas.net. Here we go!


I Amlong fiction/novelette

A woman wakes in the afterlife to find herself stuck in an infinite loop of iterations of herself, trying to break free.

I lie calmly on the island, my back throbbing against the pale rock, staring up at a sky that holds no sun, no moon, no stars, no clouds.

“I Am” was published in The Shadow Booth Vol. 3 edited by Dan Coxon (April 1, 2019). This was my longest work out this year. I have no idea if anyone likes it; it’s weird AF, but I literally gave myself an existential crisis writing it because I put my entire heart into it, so I hope you’ll give it a read if you like dark fantasy/horror dripping with strangeness and nihilism. You can order the ebook on Amazon or order in paperback from the publisher


The Little Drawer Full of Chaos short story

When May, a librarian obsessed with neatness, misshelves a single book, her tidy life with her girlfriend spirals out of control.

I scooped the last perfect sphere of chocolate chip cookie dough onto the pan, pressing the little edges down with my finger and lining it up in its row and column, spaced evenly from the others.

My next longest work published this year at just under 7,500 words (so a short story by most standards), and perhaps my personal favorite, is “The Little Drawer Full of Chaos.” It appears in Nox Pareidolia by Nightscape Press, edited by Robert S. Wilson (October 31, 2019). This one is cosmic horror/dark fantasy. It’s accompanied by beautiful art by Luke Spooner. You can order the paperback on Amazon or order the ebook on Amazon (free through Kindle Unlimited).


What Throatshort story

Jo, lost in the woods, is stalked by a monster that hunts using an unusual skill. Darcy, stranded in a cabin with two others, must keep out the eerie creature trying to sneak in.

It was embarrassingly easy to get lost.

I guess I’ll keep going by length because why not? Up next is my creepy horror story “What Throat,” which appeared in Artemis Rising 5 by Pseudopod (March 24, 2019). Narrated by Dagny Paul and Stephanie Malia Morris, hosted by Tonia Thompson, audio produced by Chelsea Davis. You can listen to the story and/or read along for free at Pseudopod.


The Redsshort story

What happens after the events of “Little Red Riding Hood”? Garnet is sent out to slay the last of the beasts, but she’s torn over completing the bloody lineage of her family.

The first time I ripped out a beast’s throat, I cried.

“The Reds” was published in F(r)iction No. 13 by the Brink Literacy Project (Spring 2019). It’s dark fantasy/horror illustrated by Enrica Angiolini, complete with perfect little section dividers. It’s violent and poetic. You can read the story for free at F(r)iction.


The Fillingshort story

During a dental procedure, unusual Novocain side effects cause a patient to lose their grip on reality.

The dentist herself leads me back to the room, which I hesitate to call the operating room, but she leads me without saying Follow me or This way, please, and after all, I am here for an operation.

“The Filling” appears in Vastarien: A Literary Journal Vol 2, Issue 3, edited by Jon Padgett (November 2019). This one is weird literary horror in the vein of Shirley Jackson. Don’t read it if you’re already afraid of the dentist. Grimscribe Press was kind enough to offer a free reading of my story at this Dropbox link.


Fit for the Wolvesshort story

A sacrifice meant for the wolves, Imaptien draws the hunger of a goddess instead.

When the goddess first lay down among the wolves, they did not eat her because she was pure.

“Fit for the Wolves” came out in Gorgon: Stories of Emergence by Pantheon Magazine, edited by Sarah Read (February 15, 2019). It’s part invented modern myth, part critique of traditional myth, and part horror story. It’s a sensual tale of a goddess stuck in her role who finally decides to step out of it to see what happens—incontrovertibly changing everyone involved. You can order a print edition or the ebook from Amazon (free through Kindle Unlimited).


Redlessshort story/flash fiction

The color red goes missing from the world.

It’s the stop sign that finally does it.

“Redless” is in The Binge-Watching Cure II: Horror Edition by Claren Books (December 26, 2019). This little 999-word story is balls to the wall crazy, but everyone who’s read it so far seems to love it. You can order the print edition on Amazon or order the ebook on Amazon.


She Sleepsshort story/flash fiction

She wakes to accept the offering of her captors.

She lays curled atop a pile of glittering diamonds, caught between the roaring surf and a five hundred foot cliff that forms a semicircle around her.

“She Sleeps” is out in Frozen Wavelets, edited by Steph Bianchini (October 31, 2019). At just under 500 words, this is a tiny little moody piece, grusome and deceptively poetic. It hovers between dark fantasy and horror. You can read the story for free at The Earthian Hivemind.


To Writepoem

A nightmare in which no one can speak.

Tonight I dreamed / my mouth was zippered shut, / like some macabre doctor / had taken the school teacher’s gesture / quite literally / and replaced each lip with one half a zipper.

“To Write” has the honor of opening Do Not Go Quietly by Apex Publications, edited  by Jason Sizemore and Lesley Conner (May 24, 2019). It’s horror disguised as a dream, which I truly had. You can read my poem for free at Apex


The Wooden Boxpoem

A wooden box of memories kept inside the ribcage.

I never noticed the zipper / hidden over my chest bone / until after you died.

“The Wooden Box” is out in Uncanny Magazine Issue 31 (November 5, 2019). It’s a personal, speculative piece about grieving my dad. You can read it for free on the Uncanny website or listen to it for free on their podcast (starting at 50:00).


the warped barbed wirepoem/haiku

the warped barbed wire / an opening zipper / revealing what’s wild

Finally, my haiku with the first line “the warped barbed wire” appears in A Book of the Year 2019 by the Poetry Society of Texas for winning the Squirrel in a Cactus Garden Prize. This one is not genre, and I can’t quite imagine anyone nominating a haiku for anything unless perhaps there’s a haiku award I’m unaware of, but for the sake of thoroughness, I’m including it here. And since it’s quite difficult to obtain a copy of ABOTY unless you’re a PST member, the poem is reprinted above in its entirety.


Also worth noting, I had three reprints out this year. They are not eligible as original works, but I hope you’ll check them out anyway. (I’ve had stories nominated for awards one year too late before, and I have to tell you, it’s heartbreaking.)


Zanders the Magnificentshort story reprint

Robby and Bobby are identical twins raised in the secretive shadow of their dead father, a famous magician who met his tragic end on stage.

“My handsome, darling boys,” Mrs. Zander said, placing a hand on each of their shoulders. “Which one of you wants to be alive today?”

“Zanders the Magnificent” is performed in Pseudopod Episode 669 by narrator Jon Padgett, hosted by Alasdair Stuart. You can listen to the story for free on Pseudopod. It was first published in Fireside Magazine Issue 21, edited by Brian J. White, where you can still read the story for free accompanied by an exquisite illustration by Galen Dara.


Cilantroshort story reprint

“A Neugebauerian yarn of culinary chaos sure to turn stomachs and cause nightmares.”

“Come on. A little poison never hurt anyone.”

“Cilantro” is in Year’s Best Hardcore Horror Volume 4 by Red Room Press, edited by Randy Chandler & Cheryl Mullenax. You can order the ebook, paperback, or audiobook on Amazon. “Cilantro” was first published in Fire: Demons, Dragons, and Djinns by Tyche Books, edited by Rhonda Parrish, and you can also order it in ebook or paperback on Amazon.


Glove Boxshort story reprint

A rash of mysterious assults breaks out in the city.

“There was no one in the store, save the two of them.”

“Glove Box” is in the Tales to Terrify 389, read by Alex Ford. You can listen to the story for free on the podcast, starting at 11:00 in. “Glove Box” was first published in The Dark City Mystery Magazine July 2018 Issue by Dark City Books. It was a 2017 Bram Stoker Award Finalist in the Short Ficiton category.


Thank you so much to all who read and support me! It means the world.

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The A.N. 10 #10: I Do IT Because IT’s Scary

My tenth and final pick for The A.N. 10 is all about horror, just in time for Halloweek! (Let’s be honest; Halloween gets a full month from me at least, but ‘Hallomonth’ doesn’t have the same ring to it.) This post is a favorite for several reasons. First, it’s a glimpse into my theory on horror, which might not be quite what you’d expect. Second, it yet again showcases my fangirl powers, which is really just me shouting from the rooftops about books and authors I love, which I firmly believe all readers should do. Third, one of my literary heroes shared the post and said nice things about it (and me!), which made not just my day but my year. No kidding.

When Anne Rice shares your post on Facebook with her million+ followers, calling it an “interesting essay,” you get a little traffic boost. 😉 She also said in the comments, “She writes well, doesn’t she? That’s why I’ve linked to two of her posts today.” I still grin when I read that! How cool is it that Anne Rice shares not just an unknown writer like me, but also posts about a different superstar author like Stephen King, who many would see as her ‘competition’? She’s cool people. (For the curious, she also shared “Thoughts on Gone Girl,” “The Differences Between Commercial and Literary Fiction,” and “Introducing My Newest Guilty Pleasure: Bates Motel.”) (Also for the curious, I’ve blogged about Ms. Rice more times than I can count; see the search for her name on this blog here.)

And my post itself? Well, you’ll have to read it. It has a book rave, horror philosophy, true confessions, a quest for a white whale, and a hand-drawn comic I did about the devil.

The link is below. Thanks for sticking with me through my top 10 posts to celebrate my 10 years of blogging. These ten years wouldn’t have been so great without each and every one of you. ♥

Happy Halloween!


Thoughts on IT by Stephen King, What it Takes to Enjoy Horror, and Why I Write It


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