Books Brew Boo 2!

Happy October! The season is finally well and truly upon us. Let the spooks begin! (Did anyone else hear evil laughter echo in the background? Weird.)

Per my annual tradition, which started out as a way to celebrate All Hallow’s Read, I’m going to be giving away some treats to good little children readers. This year, I’ll be giving out prizes to a first AND second place winner. First place winner will receive a spooky book and a Starbucks gift card to get a tasty drink. Second place winner will receive a spooky book. (Both paperbacks.) Win, win!

Every year Starbucks comes out with some gimmicky, fun Halloween drink, and I am all about it. Of course, the winner can use their gift card on any type of Starbucks goody they’d like, but you’re probably going to want something warm and comforting to sip on while you read. This year I’m giving away one copy each of two books I have stories in! First place winner will get first choice between Tales from the Shadow Booth Volume 1, which has my story “That Which Never Comes,” and Suspended in Dusk 2, which has my story “Dealing in Shadows.” Not sure how to decide? How about an excerpt from each to get a little taste?

“That Which Never Comes” (from Tales from the Shadow Booth Volume 1)

At fourteen, Daniel was much too old to be afraid at night. That made it worse. No one close to him had ever really said anything overt or teased him—he had nice parents and good friends—but he still felt their silent assessment and the less-silent assessment of kids who weren’t his friends. He was generally a wuss. Adding in a fear of the dark would ruin him.

It was in the closet, whatever it was. It was alive, but not breathing. Unspeaking, but audible. Invisible in the darkness of his bedroom, but absolutely present. Daniel couldn’t help but wonder if there was some seed of truth to all the monster-in-the-closet stories. Was it coincidence, or had people’s lizard brains been on to something from long since before he was born? It didn’t matter. It was in his closet now.

It hadn’t woken him. He hadn’t been asleep. He’d been lying in bed thinking about Todd Okiro at gym. The utter lack of light in his room usually helped him sleep, but when he couldn’t sleep, it helped him dream.

It had started as a faint click, like the sound of two plastic coat hangers tapping together. Click, click, click. The air conditioning wasn’t on, though. It was still spring enough to feel cool at nights. So how had the hangers clicked? The slow slide of gravity finally shifting a shirt, maybe, or a fly hitting a wrinkle just so on its path through the air, or maybe even a distant vibration snaking imperceptibly through the house, up the wall, and through the wooden rod the hangers rested on, moving them ever so slightly from beneath.

Daniel’s eyes were open wide, staring into the darkness above his face, imagining the fine crack in the ceiling though he couldn’t see it—couldn’t even see the color white floating there above him.

Click, click, click.

Or a long fingernail tapping the painted shell of his hollow closet door.

Silly. Kid stuff. Still, his blind gaze slid to where he knew the door to be, shut tight in its jamb. There was room in his closet for a man to hide. Or something else.

Silence then, as if it knew he’d heard it—as if it knew exactly when to bide its time.

Daniel stared so hard into the darkness where his door should be that shapes began to shift inside it, his eyes projecting motion he couldn’t possibly see, even if it were there. Was it possible that some other sense picked up movement and told his eyes to make up impressions to match it? Could he hear something? Would he hear anything at all if the doorknob should turn ever so slowly, slower even than five deep breaths, until the metal tongue was fully out of the way and the door could be pushed forward from the inside, easy, the gap below it just tall enough to keep the bottom of the wood from brushing the carpet fibers, the hinges just well-oiled enough to withhold all protest, and would he hear it if the knob was gently released, again slowly, so slowly that he would almost fall back asleep before it was done, so that the knob was still and the door fully ajar so whatever waited inside it could come out?

And did Daniel sense these things, or did he imagine them?

His pulse jerked through his body in constant, violent cycles, trying to convince him to pant, but Daniel forced his breaths to be slow and low and deep. Even so, he could barely hear beyond his own body—or maybe his own body was the only sound left in the room.

If the closet door were open, would it come out? Had it?

The muscles where his jaw met his temples ached from straining his ears, as if they were exterior muscles he could flex to listen better.

Something shifted. Low, against the carpet.

Not a step, exactly. Certainly not a man walking, but not a shuffle, either. Not a drag. What then?

Almost imperceptible, but distinct. Definitely real. Not his imagination.


“Dealing in Shadows” (from Suspended in Dusk 2)

 The shadows below seem to hold their breath at my approach. I always seek them out—something to do with grief, maybe. My sadness draws me to dark corners? I don’t know why exactly, but ever since I started noticing shadows, they seem more and more alive to me, as if they’re only waiting for me to walk by so they can let out their breaths.

“Where are you going now?” Charlene’s voice whines in my ear like a moped. I’d almost forgotten she was on the line.

I fidget with my necklace, wanting to finish the conversation so I can go down into the metro without losing cell reception. “Home. I’m exhausted.”

“Are they still overworking you? I thought you said you’d talk to them about cutting back your hours.”

“I was going to, but then two of the new nurses left. I can’t just leave them high and dry.”

Charlene huffs. I picture her pressing the phone between her ear and shoulder as she picks at her nails. “So you’re not coming out with us?”

“No, I’m going home.”

I brace for her rebuke, but she sighs and says, “That sounds good. I kind of wish I was too.”

“Then go,” I say absently, eyeing a deep shadow at the bottom of the stairs. It almost looks like something is moving in the pit of it. “You’re not obligated to go out with them.”

“Yeah. But I hate my apartment. You’re so lucky to have your own place, Eva. How many twenty-six-year-olds own a house in the city?”

My face suddenly feels hot. “I think I hear my train. Gotta go.” I hang up without waiting for a reply, but it’s either that or explode at my best friend. I know she didn’t mean anything by the comment. Her life still bustles with dates and drinks and one-liners, like it should. Like mine used to. I can’t expect her to understand.

I tuck my phone back into my purse and descend into the griminess of the metro. I try to ignore the shadows as I pass.

You’re so lucky, she said. Lucky to have my own place. In a way, on a logical level, I know she’s right. But the problem with that statement is that to get so “lucky,” my dad had to die last year. I can only afford my house due to the inheritance.

My train pulls up to the stop, and I slip through the doors. The metro is almost deserted, which isn’t too unusual this time of night. The car I sit in is empty.

I lean my head back and close my eyes, trying to let go of all the worries I carry home from the hospital. Since I’m a physician’s assistant in the hospital’s psych ward, I deal with many disturbed and disturbing patients. There is one man in particular—Jerry—who came in today claiming he’d forgotten just one person. How he knows he’d forgotten the person, we still can’t figure out.

I shake my head. No work outside of work. But without the distraction, I’m left with thoughts that circle like vultures. Charlene’s comment bites at me. Am I lucky? Is a house, some furniture, and financial stability worth the death of my dad?

I squeeze my eyes tighter as the train rocks me from side to side, an oversized bassinet making its way through the dark tunnels. The mechanical sounds of the inner-workings of the engine are sterile and familiar. My chest feels tight.

It’s not worth it, I vow. I miss him so much. I would give it all back just to see Dad one last time. Everything.

A soft scuff draws my eyes open. I look down my nose at the deep shadow under the seat across from me, where the lights of the train can’t penetrate. Detecting a small rectangle, I lean forward and pick it up.

It’s a slip of black construction paper about the size of a large match box. I hold it up to the light and angle it to read the words scrawled in pencil: Shadow People. That’s all it says.


Praise for “That Which Never Comes”

from Blair Rose at Learn This Phrase:

“Unusually powerful and—I want to say elegiac; there is something so melancholy and, yes, haunting about this. It follows Daniel from his teens to the age of 93 as he is intermittently menaced by an inexplicable, unseen presence. I suppose it’s a story with a moral, when you think about it, but not even a bit as sanctimonious as that sounds. Instead, it’s moving and elegant.”

Praise for “Dealing in Shadows”

from Gracie Kat at Sci-Fi & Scary:

“There was one in particular, Dealing in Shadows by Annie Neugebauer, that hit me very hard and everything about it was just so well done. […] (thank you for tearing my heart out of my chest and stomping on it, by the way)”

from Tracy Robinson:

“This short story by Annie Neugebauer boasts a slow, dread kind of horror while tackling the question ‘how far would you go for someone you love?’ It’s a beautiful tale. Scary and heartbreaking.”

from Frank Michaels Errington at Horrible Book Reviews:

“Quite an imaginative tale of bereavement and the shadow people. Another high note in a strong anthology.”

Both of these anthologies are dark and horror-leaning, but thoughtful and literary. (Don’t let the centipede fool you.) And both of my stories in them are deep, meaningful, and creepy. And of course with each you get many more stories by tons of talented authors!

SO.

Coffee and a spooky book, you want this, yes? Good. You can enter up to 13 times! (Lucky!) The winners will be randomly chosen from all entries, so the more you enter the better your chances. Eligible entry methods include:

  • Commenting on any/each of my 4 October blog posts right here at AnnieNeugebauer.com (including this one!), 1 per post. All commenters will be automatically entered unless requested otherwise.
  • Tweeting to share any of my promotional links this month—up to 4 tweets. To have your tweet counted, please include the hashtag #BooksBrewBoo . (You’re welcome to retweet my tweets–please do!–but to count as an entry you must tweet directly from your account. It’s also a good idea to tag me to be sure I see it.)
  • Posting on Instagram to share any of my promotional material this month—up to 4 posts. To have your share counted, please include the hashtag #BooksBrewBoo . (Update: posts to you feed OR your stories will count; be sure you tag me so I see it.)
  • Posting on Facebook to share any of my promotional links this month—1 post. To have your share counted, please include the hashtag #BooksBrewBoo . (It’s also a good idea to set the privacy of the post to ‘public’ and tag me to be sure I see it.)

Please help me out by making your sharing/posts interesting and/or useful! In other words, don’t just tweet the hashtag 4 times in a row and call it a day. Spread them out, say something about the giveaway, link to my blog or my work. Send people my way to join in. You get the idea. If you’d like an image to share, feel free to grab one or more from this post! If we get lots of entries, I just might throw in an extra surprise or two.  😈

Regarding postage: I don’t want to limit this to US only, but I also can’t afford to pay $64 in shipping. Let’s say that if I can get the book to you for $15 or less, you’re eligible. BUT, I will send an ebook and/or Starbucks e-giftcard to any winner(s) too far away for shipping, so everyone can still play! All entries must be made by 11:59 CST on October 30, so I can announce the winner on Halloween!

Best of luck to everyone! Have fun! And don’t forget to hit me up in the comments with any questions and/or content requests for the rest of my blogs this month. ♥

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Gathering Milestones in my Pockets (and on my Shelves and at my Blog and…)

Before I get into my talk about milestones, I have a fun surprise: there’s a new album up at The Decorative Writer! This time my bestie Kelsey Macke is sharing her ah-mazing home office with us. This suite is spacious, colorful, organized, inspiring, AND it has every reader’s dream: a hidey-hole!!! I’ve spent my share of snuggly nights in that book nook planning, working, dreaming, and giggling, and I can vouch that it’s a truly magical place.

So definitely head over to Kelsey’s album and click through her pictures. (Read her captions to catch special notes and details.) And if you enjoy the snooping, leave her a comment to let her know! And if you can’t get enough snooping, check out the rest of the albums at The Decorative Writer for more beautiful, unique writers’ spaces of all stripes.

Okay, onto today’s topic: celebrating milestones. I’ve had several really cool ones gather up lately, so I felt like sharing them here. (And I will.) But, as is often the case, I find myself struggling to share them in a way that doesn’t feel like bragging. No one likes a bragger. But then another part of me is annoyed at my hesitancy—which is certainly tied to the requisite humility all women are trained to put first—and I think I should share things with no caveat. And then I remember that I’ve already vowed to stop apologizing for sharing my successes. (And I also remember sharing some of the negatives, too, so at least I’m not painting a false picture that everything is kittens and rainbows.) So, okay, now that I’ve pseudo-caveated by talking myself out of caveating, let’s celebrate!

The bookshelf where I display my contributor copies (which, ironically, I’ve seen other authors call their “brag shelf”) is finally totally full. As in can’t-squeeze-in-one-more-copy full. That’s really freaking cool! I insist on keeping one or two front-facing spaces for displaying my latest publications, and one of those I’ve bumped onto a stack of spiral-bound books (which don’t stand well). Even so, I’ve had to squeeze in my little copy of Shadow Booth up top, which I’m not crazy about.

I can procrastinate a bit more by taking away the front-facing display on the right and lining up more books spine-out, but I really want more time to appreciate each new book before the next one hides it from me. And lately they’ve been coming one on top of the other, which is awesome, but means I really want to hang onto my two spots (at least). So!

Time

for

a

new

shelf!

Whaaaat? Seriously, such a cool problem to have! But I am kind of stumped on how/where to put this additional display. The shelf pictured is actually just the top of our entertainment stand; the TV is below it. I like my books there because they’re out in the main part of the house instead of tucked away in my office, but I think adding floating shelves to that wall might look odd. And as much as I dislike that TV stand, an entirely new one isn’t quite in the budget. Any bright ideas on what to do? Cute shelving solutions you’ve seen? Votes?

Really, it’s amazing to think back to how my brag shelf has grown. It used to be a single magazine on the coffee table. Then it became a small stack on a side table. Then it became a tiny little row sandwiched between book ends on a low shelf. Then it grew to a mostly-empty version of the shelf up top where it is now. And now that whole shelf is packed full, and if I’ve ever needed tactile, visual proof of how hard I’ve worked and how much I’ve grown, here it is. 🙂

Another milestone that has me geeking out is this:

My name on the cover! Okay, I’ve definitely had my name on several really great covers before now. BUT. This is the first time I’ve had my name written out on a cover that had the option of shoehorning me in with “and many more.” There is nothing wrong with being one of “many more.” But it’s kind of funny. In fact one of my favorite tweets uses it:

I’ve long been “and many more,” so it’s really freaking fun to not be this time. Even knowing that there are probably many more “and many mores” in my future—really fun. So there’s a happy dance.

Haunted are These Houses, the relevant cover, is a gothic anthology of stories and poems, fresh out. You can order it in ebook or paperback now. It has my short story “The Call of the House of Usher” reprinted in it, which is my homage to Poe. One reviewer once called it “the most elegantly crafted story I’ve ever read,” which is definitely one of my favorite compliments ever! I’m honored to be along side many authors I admire, including Poe himself and some other classics.

When I get my contributor copy of Haunted are These Houses, it will also serve as another new milestone for me: it will be the first time I have a single story in four different physical books! “The Call of the House of Usher” was first published in The Spirit of Poe, a charity anthology to help save the Poe house in Baltimore. Then it was reprinted in Killing it Softly, an all-women horror anthology. Then it was reprinted in a hardback edition of Killing it Softly because the book did so well. And now it’s reprinted in Haunted are These Houses, so I’ll have the same story on my shelf four times, which speaks highly of this story. It’s always good to feel you’ve done Papa Poe proud. <3

And last but certainly not least, the latest milestone I’m tucking under my belt: I’ve been invited to submit a story to a literary magazine I love. This is my first direct solicitation, and I can’t tell you how flattering it feels. Someone out there read and liked my work so much they sought me out for more. I’m not crying; you’re crying. I’ll tell you more about this if/when I can, but the invitation alone feels like joy worth sharing.

Okay, those are all the milestones I have to share for today, but before I send you to my “what you might have missed” wrap-up, a quick call for input. October is juuuuust around the corner–insert all of the Halloween emojis here–and I’m busy planning my tricks and treats. I’ll be flitting around the interwebs sharing strange and spooky things, but I also plan to do a blog series here, which will include a book giveaway or two, per my tradition.

What I want to hear from you, dear readers, is how you’d like this to shake down. Do you have any requests? Things you’d like to hear more about, topics you want covered, ideas for me, types of content you favor? Do you like commenting here as the easiest way to enter a giveaway, or would you prefer I open it up to Twitter, Facebook, and/or Instagram with a hashtag, like last year? How often do you want to see new posts? (My standard has been once a week for the month of October, but people read blogs much less than they used to.) I want all of your brains thoughts!

Okay, on to the things that have come out since I last posted, in case you missed them:

My creepy gross horror story “Cilantro” is out now in the anthology Fire: Demons, Dragons and Djinn by Tyche Books! You can order this in ebook or paperback now! It’s full of great fire-themed tales, but be warned that mine in this one is not for the faint of heart (or stomach). It is, however, wickedly fun, and horror lovers shouldn’t miss it.

And last but not least, my latest blogs elsewhere. Click the image to visit the post:

 
 


Thank you guys for your shared excitement, and thanks in advance for any input you have on my October blog series!

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Writers Ask: When to Quit Submitting

There’s a hashtag trending on Twitter right now called #ShareYourRejections. (#ShareYourRejection catches some leftovers.) I really love it. I love when the writing community focuses on real talk–the things we need to know as writers–rather than the shiny polished side. It’s even blossomed beyond writing to include rejections in other industries and even just in life. Most of them are positive, skewed toward eventual success stories, because that’s what’s motivating, although some are funny and a few are just sad. It doesn’t matter. To me, what matters is that people are openly talking about their failures.

I love failures. (Admittedly not usually at the time.) Mine, other people’s: it’s just such an amazing way to grow and learn. Every time I botch something, it’s an opportunity to step back and ask myself why and how I botched it. Can I fix it? Can I avoid doing the same thing again? Usually the answer to one or both of those is yes, and that’s gold.

Go to any writers conference and sit in on some panels, and you’re practically guaranteed to hear some form of this question:

How long should I keep trying to get published? How many rejections before I should quit? When should I trunk my story? How many times should I submit a story before I give up? When should I stop sending my story out on submission?

In the interest of taking a crack at answering it, I’m going to share my own rejections. On a favorite.

My short story “So Sings the Siren” was rejected by 17 markets before it was accepted by Apex Magazine.

It went on to become a Bram Stoker Award Finalist—a literal dream come true—open the Year’s Best Hardcore Horror Volume 3—a dream I hadn’t even dared to dream yet—be reprinted and audio produced more than once, and—perhaps most touchingly to me—has made more than one (more than one!) complete strangers’ personal lists of ALL TIME favorite short stories. I’ve received more praise and positive reviews for that little story than any other I’ve published so far. Obviously, a lot of people have really loved it.

But it was only the 18th market I sent it to that found it worth publishing. (For the record, that order is not a reflection of my ‘ranking’ of Apex or any of the other markets; it had more to do with what was taken up where and a constant rotation of pieces and markets. Apex was a huge bucket-list top-five win for me.)

Here are just a few of the things rejecting editors said about “So Sings the Siren”:

  • the story just didn’t cover enough new ground
  • misses an opportunity to be exceptional
  • didn’t do enough with itself
  • this didn’t stand out
  • more heart

More heart? That story is my heart. And yes, for those not in the field or new to the field, these things do hurt. They should. That’s okay.

Because you know what? Those editors were all right! So were the readers and reviewers who didn’t like it once it came out. Because all they have is their one opinion, and you can’t argue with an opinion. It’s literally just what that one person thinks. All you can do with an opinion that isn’t the one you want is consider it, accept or dismiss it, and move on.

I’m not saying the way I do it is right, but here’s the way I do it: I decide, once and only once, if I believe in the thing I wrote. If the answer is yes, I never give up on it. It’s that simple, and that hard. I might revise it, set it aside to come back to, knock it down a tier, whatever—but if I believe in it, I don’t quit until it’s out there. Even if it takes 18, 25, 50, or ??? rejections before that happens.

By the way, I don’t give up on markets, either. I sent Apex Magazine 10 different stories before they bought “So Sings the Siren.” I’ve sent them 1 after. (Nope, getting one story published doesn’t mean you’re automatically in for the next.) I will almost certainly send them more in the future, because they kick a lot of ass and I loved working with them.

But I don’t give up on stories I believe in, so 6 of those 11 rejected by Apex have since been accepted elsewhere—a few already published to wonderful reviews and reactions of their own. 🙂

So much of submission is luck and click and fit. There are countless big and small factors that go into acceptance versus rejection, and most of them you can’t control. So you do your best on the parts you can control (quality, work ethic, content, persistence, professionalism, etc.) and hope for the stars to align. Some of my very best stories still haven’t been accepted anywhere. (Some of my less-than-favorites got picked up right away.) That’s okay. Just don’t give up.

I’m serious, don’t give up. I’ve had a few writers see my list of published work and ask me how I’ve done it. As long as that sucker may look now, it’s taken me ten years of hard work to build it up. In those ten years, I’ve also built up a submission chart file that’s 80 PAGES LONG. (It has poems, stories, novels, queries, contests, and more.) Most of the cells are shaded red, not green. And there are stories with far more rejections than 17 that are still going out on submission. A different story that just got accepted at a different wish-list market (I can’t announce yet) was rejected 46 times first. I didn’t stop sending it out because I believe in it.

And of course, “So Sings the Siren” is one of my happiest submission tales. I have a dozen stories that have yet to find homes at all. I’ve had plenty of other stories published that didn’t get much or any fanfare. But I don’t know which ones will reach which people until I get them out there, do I?

If I’d given up on “So Sings the Siren” after my first five or ten or fifteen rejections, I might’ve spared myself some inconvenience, some brief hurt, some negative reactions. But I also wouldn’t have found so many readers for whom my words do hit home, do resonate, do mean something. I wouldn’t have cracked a bucket-list market or made my first ‘best of’ anthology. I wouldn’t have a Bram Stoker Award Finalist certificate hanging on my office wall, reminding me why I don’t give up. And I might not be here oversharing with you so that, hopefully, other writers can see my numbers and take heart too. We all fail. It’s just part of the process. It’s not permanent unless you quit.

So don’t quit.

Writers, feel free to share your own rejection stories below—uplifting or otherwise. All experiences are welcome here. And if you need more, definitely go snoop the hashtag #ShareYourRejections. You are not alone.

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Anticipation and Dread, or Why I Decorate Early

It’s funny, I’ve been meaning to post a blog to share some updates and releases with you guys, and when I took a quick glance at my last post about how much I love summer, it made me shake my head. I DO love summer. (Like, a lot.) But lately I am already itching for fall. JoAnn Fabrics has put out some of their autumn décor and I’ve gone more than once just to walk among it. There’s still a full month left before Texas even thinks about moving into fall, but here I am arguing with myself about pulling out the pumpkins even as I go to the pool as many times as possible to soak up the sun. What’s up with that?

I’ve always felt this way. I think it’s this: anticipation is just as much fun (if not more so) than what we’re actually looking forward to. Weird, isn’t it? But it’s true, maybe especially for imaginative people. Planning and making a Halloween costume is just as fun as actually wearing it. Daydreaming about an upcoming vacation is often as exciting as the trip itself. Choreographing a dance is almost as wonderful as performing it—in some ways, moreso. How many of my writer friends plan out elaborate books and even series that they never actually sit down to write? There’s a reason for that…

Anticipation is why I always push my holiday/seasonal decorations as early as feels reasonable. I don’t go too early because then it becomes the norm (mundane) and defeats the purpose for me—and I never cross before a holiday that comes first, because I like them to each be distinct and special—but I always go as early as feels reasonable. I like pumpkins on my mantle late in September and Jack-o-lanterns first thing in October, because putting them there is a tiny celebration of what’s to come. Anticipation.

So I’m not “over” summer yet. I’m still reveling in every perk it has to offer, from late sunlight to cold treats, but I am turning my eye toward fall. Just a little dreaming to get me through the hottest parts of the afternoon…

Fiction is the same way, you know. Just a little shop talk for the writers out there. Maybe I’m hyper aware of this because I write so much horror, which uses negative anticipation to build its momentum (AKA dread.) No monster or bad guy or scary thing will ever be quite as terrifying as the anticipation of coming up against it—of what our own minds conjure in the waiting. Erotica writers know this too. The build up is just as if not more important than the payoff. We, as readers, often think we want the ending, but the truth is that we want the wait. We love the anticipation. The better that, the better the story.

Speaking of stories! (Smooth, eh?) I have a few new releases that you might want to check out!

Suspended in Dusk II is out now, after quite a rocky publication path of two years. (Talk about anticipation!) This one earned its stripes, y’all. If you want the behind the scenes, I interviewed the SiD2 editor and publisher for LitReactor. Or if you just want the book, you can order it in ebook or paperback. The paperbacks are GORGEOUS. I can’t stop staring at mine. And what company to be in! Other stories in this collection are by Stephen Graham Jones, Damien Angelica Walters, Alan Baxter, Sarah Read, Nerine Dorman, JC Michael, Benjamin Knox, Paul Tremblay, Ramsey Campbell, Letitia Trent, Paul Michael Anderson, Gwendoyln Kiste, Bracken Macleod, Christopher Golden, Dan Rabarts, and Karen Runge. You really can’t go wrong with this one.

My story in the collection is “Dealing in Shadows,” which is perhaps one of my more personal stories to come out so far. It’s not me, and it’s speculative, so it’s obviously not my life, but it was definitely inspired directly by my life and my feelings about losing my dad. It’s dark, deep, very sad, and a little creepy. Editor Simon Dewar called it “gut wrenching,” and liked it enough to make it one of only two stories in the anthology pulled from the slush. (Yay, slush!) Reviewer GracieKat at SciFi and Scary said, “There was one in particular, Dealing in Shadows by Annie Neugebauer, that hit me very hard and everything about it was just so well done. […] (thank you for tearing my heart out of my chest and stomping on it, by the way).” That’s the kind of review a sicko like me dreams for. ♥

Also fresh out: Undead: A Poetry Anthology of Ghouls, Ghosts, and More by Apex Publications! I’m happy to have a reprint of my poem “Light and Liquor” in this big, dark collection of creepy little poems. “Light and Liquor” is a Spoon River poem, which means a soliloquy delivered from beyond the grave. It was first published in the Horror Writers Association Poetry Showcase Volume I in 2015. I’m pleased to see it among more creepy kinfolk in Undead. I haven’t received my copy yet, but I can hardly wait (again with the waiting). You can order one now in ebook or paperback.

And in a surprise release, my short story “Glove Box” is also out now in The Dark City Mystery Magazine July 2018 Issue. The digital collected issue is coming soon, but this time you don’t have to wait at all; you can read my entire story for free right on their website! This one is short, only about 2,000 words, and a strange, tense little ride. It’s mostly suspense with a little bit of mystery and a little bit of horror. I hope you like it!

And finally, here’s a quick roundup of the posts I have elsewhere that you might’ve missed:

On the Thickness of Skin- a call for writers to stop ignoring their emotional reactions to negative things for the sake of looking tough.

Poems to Read in an Existential Crisis and Other Unnecessarily Specific Recommendations- a fun way for me to tell you about some stellar poems you should read.

An Interview with the Makers of ‘Suspended in Dusk II’- the interview I mentioned earlier, with questions about setbacks, points of pride, and even some advice for writers.

Also, if you’d like to hear what’s going on with me as it happens, be sure to follow me on Instagram @AnnieNeugebauer to see my writing life in pictures! (There are a lot of pretty books and cute cats.)

Do you tend to anticipate the next thing like I do? Do you see it as part of the fun, or do you try to keep your excitement rounded up into the current season? I’d love to hear your thoughts about anticipation (or dread)–writerly or in general!

I hope you’re all (still) having a wonderful summer!

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Worth the Excitement

My life is brimming with excitement lately. For one thing, I’ve finally finished the WIPbeast—for now, at least; no such thing as The End for writers—and I couldn’t be happier. It was a thrilling, trying, fun, exhausting project, and I am so proud of it. I hope to be able to tell you all about it soon, but for now I’m just looking forward to a big check mark, a fresh slate, and…

SUMMER!

I adore summer. Bring on the heat, the sun, the lazy days, the late nights. I can’t get enough. Summer has always been a time of relaxation and freedom for me, so the fact that getting a huge project off my plate coincides perfectly with the start of summer is extra exciting. Already my head is churning and tumbling with new ideas, and this phase when I don’t have to pick one yet is just the best. I fill up my tank and see what floats to the top, then let it soak there until it’s niiiiice and full. (I think the end of that analogy is me squeezing out all the good stuff when it’s ready, but who knows.)

How do I fill up my tank? Well, vacation, for one thing! I’m well overdue for a trip. Traveling always sets my creativity on fire, and I hope this year will be no different. But really, for me, filling up the tank is actually about living fully. I work insanely hard, so I have to play insanely hard to stay balanced. This year I hope that will look like day trips, pool time, barbeques, baking treats, early morning walks, yoga and dance, goofing off with my friends, and consuming lots of great stories.

This week I’m going with a couple of friends to see Hereditary, which everyone is saying is one of the scariest movies in years. We’ve had a huge selection of excellent, high-quality horror films in recent years—The Babadook, Get Out, It Follows, The VVitch, Hush, It, A Quiet Place, Annihilation, Goodnight Mommy—so that’s really saying something! I especially love the trend toward stories that mean something deeper than surface thrills. Here’s the trailer for Hereditary. I am already scared. 😀

TV, too, has become an incredible playing field for dark, complex, meaningful storytelling. Some of the shows being made these days are as good as any movie—Orange is the New Black, House of Cards, Justified, Hannibal, and Mindhunter come to mind—and there’s one on the horizon that I’m so excited for I could explode:

Gillian Flynn’s extraordinary novel Sharp Objects is being made into an HBO miniseries! Unforgettable protagonist Camille Preaker is being played by Amy Adams. The trailer gave me chills. I’ve raved about Flynn before, so I’ll contain myself somewhat. (Check out my thoughts on Gone Girl and my quick run-down of all of Flynn’s publications.) But Sharp Objects, far and away, is my favorite of hers, and I’m stoked that it’s being adapted for TV. July 8: mark your calendars!

But, of course, most of my stories come in the lovely shape of a book. Once a bookworm always a bookworm. Summer is usually my best time for reading, too, so my list… might be getting a little out of hand. I recently re-read Marisha Pessl’s drool-worthy novel Night Film, and it was so enjoyable that I’m eyeing a re-read of my beloved House of Leaves. It’s only a matter of time. But I do try to read more new (to me) books than old, because there’s so many I haven’t gotten to yet!

First up on my list is Ellen Datlow’s Best Horror of the Year Volume 10, which comes out June 12. I’ve made no secret of my love for this series. They’re an auto-buy for me now. It’s a wonderful way to catch up on some of the best short fiction coming out each year. They’re a great mix of styles and topics, too, so there’s always a few I fall in love with. I might’ve recently bought myself volumes 2 and 3. Whoops.

(Like my photo, above, of Snaps trying to talk me into buying my only missing volume? I’ve started an Instagram account for all things writerly and bookish! Plus cats, of course. Follow me @AnnieNeugebauer to see my life in pictures, and say hi so I can follow back.)

Also soon is Paul Tremblay’s The Cabin at the End of the World, June 26. Tremblay wrote A Head Full of Ghosts, one of my favorites in recent horror. I can’t wait to get my hands on this new one! The description sounds amazing, and his books are always so damn smart.

Oh, and the next Tana French novel, The Witch Elm, comes out October 9. Yes, that’s quite a ways away; that just goes to show how excited I am. I pre-ordered it before Amazon even posted the description. It doesn’t matter. I’d buy French’s grocery list. She’s that good. She writes literary mysteries with beautiful complexity and exquisite prose. (Start with Broken Harbor.) I only wish I didn’t have to wait until fall.

But the next Laurell K. Hamilton ‘Anita Blake’ novel, Serpentine, comes out August 8, which isn’t so far away. Y’all know I love me some Anita Blake! I’m a sucker for an ass-kicking heroine. Sexy vampires never hurt either. (Whatevs, there’s room for scary and sexy; give me a break.)

That’s not even taking into account all the books I’ve bought, been gifted, or still haven’t read yet. Looks like I have my “work” cut out for me. Good thing I have so much travel and pool time coming up. 😉

How about something I’m excited about that’s happening now? My short story “So Sings the Siren” is still going strong! I continue to hear from readers and reviewers, and it’s unbelievably validating. This story has legs! You can now find it in a multitude of places and formats, depending on your preferences:

It’s still available at its original home, Apex Magazine. You can read it free right on their website, or you can order Issue 101 for your favorite e-reader. (Apex is always amazing and well worth a subscription, too, if you like speculative fiction.)

It was also reprinted in Year’s Best Hardcore Horror Volume 3 by Red Room Press, which you can get in print, ebook, or (soon) audiobook! If you’d like a sneak peek, they’ve posted my story as a teaser for the audiobook, so you can listen to the full story for free on Sound Cloud. Angel Leigh McCoy does a phenomenal job reading!

And last but not least, Tales to Terrify podcast the story in Episode 330 as part of their Stoker nomination series. They, along with everyone else involved, did a stellar job. Heather Thomas also gives an amazing reading; her little girl voice is spot on. Honestly, you can’t go wrong with any of these choices—and my story is so short that you can always check out more than one. 🙂

Before I run into the sunlight never to be seen again head out, here’s a quick roundup of my recent columns and announcements that have appeared elsewhere, in case you missed them:

You can tell I’ve been a busy bee, huh? It’s time to go chill out and let the bees do the busying!

What are y’all excited about? What are you reading, watching, listening to? I want to hear about your summer swoons!

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