The Mountains Do Not Call Me

We’re in week 4 out 5 of National Poetry Month, which means it’s time to share another poem. This one, “The Mountains Do Not Call Me,” won second place in the Wyopoets Award and was subsequently published in Encore 2018, the prize anthology of The National Federation of State Poetry Societies. (Last week’s poem was published in this same volume, along with a third poem of mine, so you’ll get a three-for if you want to order yourself a copy–not to mention great poems by many other poets!) 

In reading it now, my first thought was that I’d pay a lot of money to be in the mountains again right now. Then I realized that’s exactly how I would get to the mountains right now, and that, unfortunately, reality doesn’t always match up with brain declarations. 😉 Ah, well, at least I can read this poem (and look at this picture my husband took) and go back there. I hope it brings you something good too.


The Mountains Do Not Call Me

It breaks my poet’s heart to say it,
but the mountains do not call me.
I see that here, now, as I look,
praise, salute. “Hello again, you.
My soul’s been waiting,”
and they do not answer.
That’s when I see
that a poet’s tendency
to romanticize is a weapon–
no, scratch that–a veil
obfuscating the truth.
What makes the mountains
the mountains is that they do not call.
They do not sing or bow or dance.
They do not breathe,
indeed, they do not even wait.
The deeper truth is that the mountains
are,
and there is my lesson,
impersonal, stalwart, deep and high
and brave–no, not brave–there I go again–
true.
The mountains do not call me;
I am called to them
and in their shadows
I can be
a thing that calls and dances
and breathes and waits
and tries to learn.
In their presence
I can be.

© Annie Neugebauer, 2016


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If, Indeed

More poetry.

What’s that you say?

MOAR POETRY!

You got it! In my continuing celebration of National Poetry Month, today I’m reprinting my punny Shakespearean sonnet about the subjunctive, because I am a dork. (Those of you who’ve been with me for a long time might remember how much I love sonnets! And grammar, for that matter. And grammar humor, come to think of it. I’m beginning to think this poem was inevitable.)

This little weirdo has somehow placed 2nd in the Poetry Society of Texas contests (2016) and 3rd in the National Federation of State Poetry Societies contests (2018), because, apparently, all those folks are dorks too. It was subsequently published in the NFSPS prize anthology Encore, and now here it is for you dorks. 😀 Enjoy!


If, Indeed

If all the world should poll grammarians
about the need for the subjunctive tense
and they decided we’re barbarians
whose use for it we shall henceforth dispense,

the people by and large would likely shrug.
The elderly would simply shake their heads.
The middle-aged with smiles rather smug
would claim the thing already had been dead.

The teens would ask what was it anyway,
and kids would hear the slogans shift to past.
The teachers, grateful of the extra day,
would dare adjust their lesson plans quite fast.

If all the world this ordinance were borne,
the poets, still, the poets—how we’d mourn.

© Annie Neugebauer, 2013


Just a quick reminder before you go: Year’s Best Hardcore Horror Volume 4 by Red Room Press is out TODAY! It includes my creepy story “Cilantro.” You can order yourself a copy now! And if hardcore horror isn’t really your thing, you can still get my story “Cilantro” in its original home, Fire: Demons, Dragons and Djinn by Tyche Books, which leans less horror and more fantasy, but they’re both great anthologies!

Thanks, and have a wonderful week!

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The Comedian

To celebrate National Poetry Month, I’m sharing a poem a week here on my blog. (Check out “Texas Rain” if you missed last week’s!) But before I get to this week’s poem–a creepy little thing–I wanted to make sure you’ve heard about my most recent news. I’ve just had two stories come out, available for you to read now!

What Throat,” is an eerie short story that plays with sound and mimicry, which is perfect since it was produced by Pseudopod for Artemis Rising 5, meaning you can listen to it performed by some kickass narrators! I think they did a phenomenal job bringing my story to life. I hope you’ll take time to listen on your next commute, laundry day, or long walk! (Bonus points for sitting down in the dark to really savor it!) I love that this one’s available free, too, so no ordering necessary. (Although subscriptions are how awesome publications like this survive and pay authors like me, so if you like what you hear, please do consider supporting the ‘Pod!) If audio isn’t your thing, the full text of the story is available at the link above as well; just scroll down below the show notes.

I’ve also had my longest story to date published in The Shadow Booth Volume 3! (You might remember my story “That Which Never Comes” from Volume 1, but if you missed it, it’s still available for order.) “I Am” is technically a novelette, which is French for “more story to love.” 😉 It’s a weird, literary, experimental dip into existential horror, and I’m very, very proud of it. It also has the honor of closing out the collection, which is a first for me too! You can order it in digital on Amazon or in paperback from the publisher. A couple early reviews are already popping up, one of which has wonderful things to say about my story.

I have several more pieces coming out very soon, which you can always keep up to date with at the bottom of my publications page. And I’ll let you know here once they’re out! Now, onto the poetry.

“The Comedian” is an older poem of mine that I never reprinted here. It was first published in the magazine Infernal Ink back in July 2014 (Kindle version or print issue). And now here it is for you to read for free, because poetry doesn’t only have to be about nature, love, and wisdom. Enjoy!


The Comedian

His laughing eyes mock my terror.
He revels in his heinous game.
Oh so slowly he plays,
a character from nightmares,
to marvel at:
shudder.
Me frantically scurrying,
a tiny rat running through a maze,
I hide under the guillotine
and decapitate myself
with my own panicked dread.
The head bounces
like an empty thread spool,
and bumps the corner of the maze.
Ratty eyes look up
to see the evil player’s
wicked smile
caressing my fear.

© Annie Neugebauer, 2013



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Texas Rain

Happy National Poetry Month! American or no, April is a great time to celebrate poetry. 🙂 Don’t you all get spring fever around now? I do! All I want to do is frolic in meadows, have picnics, and read poems. Unfortunately, I’m working my tail off instead, trying to get my current round of revisions finished so I can go play.

But I’ll still make time for poetry! As a way of sharing some of my previously published work here, where you can read it for free, I’ll be posting one poem a week for the five weeks of National Poetry Month. If I get squirrelly, I might even do a vlog reading. 😉 (So if you want to get all five poems in your inbox, make sure you’re subscribed, and add annie@annieneugebauer.com to your approved senders to be sure you get my new posts.)

This week, I’ll kick things off with a little poem suitable for the season here in Tejas. “Texas Rain” was first published in the 2019 Texas Poetry Calendar by Kallisto Gaia Press. I hope you enjoy!


Texas Rain

I feel the exact moment
when still heat,
thick with honeysuckle,
gives way to fresh chill
smelling of rain
that hasn’t yet come.
Thunder
announces lightning
without pretension
and I swallow it all.
This life
far too thin
not to drink it down,
and me
never full.

© Annie Neugebauer, 2018


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Youthful Dreams and the Surprisingly Cool Nature of Reality

Y’all. I made it.

Glove Box” made the final ballot for the 2018 Bram Stoker Awards®! I am absolutely shocked and thrilled. I’ve gasped and grinned and danced and cried. I’m officially a two-time nominee, and it feels like a dream come true. (Winning would be the ultimate dream, of course, but I am not above a mini-dream or two.) What an incredible honor!

I’ve already talked about how surprised I was to make even the preliminary ballot. But I’m still surprised to make it to the next level. I’m surprised that my strange little story is reaching readers, and that they’re appreciating it. I’m surprised by how good it feels, even this second year. (No less wonderful than last year, in fact.) And frankly, I’m surprised by where I’ve found myself in my writing career.

Part of it, as I was explaining to my husband this weekend when the news came out, is that I don’t write for recognition. Don’t get me wrong; I crave and love praise and awards just as much as anyone. I’m not claiming superiority here. I just genuinely don’t expect it. It’s not why I sit down, day after day, and work silently by myself. I work so hard, and I dream of that work finding readers who love it. I write for myself, and I write for readers. I don’t write for awards.

But receiving recognition like this—it’s an indicator that I’m on the right path. I’ve been finding readers. Somehow, I’ve been finding readers and even keeping them. 😀 And, frankly, being recognized by an award as prominent as the Stokers isn’t just flattering; it’s useful in finding even more readers. I don’t have any numbers to back it up, but I bet “Glove Box” has been read by many times more people now that it’s on the ballot than it had been before. And that’s just really freaking cool, y’all. That’s the whole point—to be read.

But my surprise runs even deeper than that. I’ve dreamed of winning a Bram Stoker Award since I first learned of them. My dad, who I got much of my love of horror from, used to buy his next books based on that list. (Consequently, many of my stolen reads were from his shelf/that list.) It was one of my big dreams, to someday be among those authors I loved. As I got older and began pursuing this career in earnest, my expectations calibrated. I never imagined being nominated in my early thirties. I was prepared to wait decades to see that dream fulfilled. So I’m surprised to have brushed against it twice now. And to be candid: I always assumed it’d be for a novel if I did get there, so I am equally surprised by the path I’ve ended up taking.

I’ve always been a big dreamer. I’ve wanted to be a published author since I was in grade school. I wanted to become one of the famous literary giants that I so cherished reading, analyzing, and studying. It wasn’t just fame or glory. They touched me, heart and brain, and I wanted to do that. When I got into horror, I wanted to be among those giants who grace the Stoker lists. They touched me too, heart and brain, and I wanted to do that too. For whatever reason, I assumed those things were accomplished through writing novels and poetry. I have no idea why; I read and loved short stories too. Poe, O. Henry, etc.: they were just as cherished by me. But somewhere along the way I convinced myself that my true calling was poetry and that my claim to success would be novels.

Imagine my surprise at having built my career thus far largely from short stories and blogging.

Seriously, 7th grade me would be so disappointed. (Don’t worry Little Me; I haven’t even remotely given up on getting novels out there or landing a whole book of poems. Turns out it takes a bit longer than a year or two sometimes. 😉 )

I began blogging to “build a platform,” and I got in just after the boom and right before the bust. I like to say I’m grandfathered in; it’s very difficult to build momentum as a blogger now. But I made a decent start before blogs become a dime a dozen, and it led to amazing opportunities with even bigger group blogs like Writer Unboxed and LitReactor. Articles and blogs are now a vital part of my cobbled-together freelance income, which is part of what allows me to pursue writing novels and poetry. What’s more, it turns out that I absolutely love it. Some writers hate it, but blogging feels great to me. It allows me to connect more personally with readers, to teach, and to share my journey with fellow writers. It’s also a space to explore some of the topics that don’t fare as well in fiction, or are better suited to a more straightforward or open discussion.

I began experimenting with short stories to learn how to write, and to begin “building a name for myself.” I’d read somewhere that it’s difficult to get a novel published if you’re unheard of. With shorter works like poems and stories, it’s less risky for editors to publish new writers. So I set out to get stories published in magazines, journals, and anthologies and build myself a little resume that might help entice big publishers for my books. But just as with blogging, short stories have turned out to be an indispensable part of my income. Are they as good as a royalty check? No, but if I sell half a dozen short stories a year at professional rates, it helps keep me in the black. And they are not just helping me build a name for myself; so far, they’re kind of the only way I’m building a name for myself. (Sorry, Little Me; hardly anyone gets to live off of poetry, and even a byline at a big blog usually gets overlooked by casual readers.)

More importantly, it turns out that I adore writing short stories for their own sake. More so than I ever envisioned when I started. I think I might once have thought to use them as a stepping stone and drop them when I landed some novels. Now, I could never. I need short stories—emotionally, functionally, creatively. Just like poetry and blogs and novels, short fiction fills a part of my artistic life that other forms simply can’t fill. They’re an equal love, a unique passion. Do they sometimes fall to the back burner when a longer or larger project takes hold? Absolutely. I don’t fight the ebb and flow of it. But I always come back to shorts, where there’s a freedom and a brevity that speaks to me. I honestly cannot imagine my life without them.

So my nominations for the Stoker Awards are surprising in many ways. Surprising for the category I’m up for, surprising for how soon it’s happened, surprising for the story at bat, and surprising for the joy and encouragement it’s brought me. It’s not just the praise, or the honor. That is beautiful, fulfilling, thrilling! But the readers. The readers the nominations represent, and the feedback from them (you) about my work. To know that I’ve found readers and affected them in even vaguely, occasionally the same way those giants have affected me? That’s priceless.

Thank you, friends and readers. Come the awards in May, whether I win or not, I really *do* feel like I’ve already won. I’ve won motivation and reason to keep sitting down to work day after day, and to keep pushing against this crazy industry to get my writing (of all stripes) in front of readers who might want it. Because at least a few someones seem to want it. 🙂 Speaking of which, a story is calling. (Or is that a poem, or something longer…?)

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