The A.N. 10 #2: I Guess No One Told Me I’m Done with College


Pssst, before I tell you today’s A.N. 10 pick, I wanted to let you know that there’s a new album up at The Decorative Writer! My good friend (and amazing author) Lisa Bubert is sharing her swoon-worthy attic office with us! It has the best wall color, a hilarious kitten, and lots of great personal touches. Go check out her amazing writing space! And thanks to Lisa for letting us snoop in her gorgeous room!

Okay, back to our regularly scheduled programming. My second pick for The A.N. 10 is one that never gained the big popularity of some of my other choices, but it’s a personal favorite: “Unpack the Poem: ‘Inland’ by Edna St. Vincent Millay.” It’s a favorite because I got to know a poem I already loved on a crazy deep level, it was so much fun to write, and I’m still very proud of how it turned out.

True fact: it also shows what an enormous scholastic dork I am, because no one made me (or even asked me) to do a deep literary analysis of this poem. What can I say? I miss school.

But don’t worry, college-weary friends; this one requires nothing on your part but an interest in good literature and an eye to seeing it picked apart. Bonus: you’re welcome to judge my interpretations and conclusions as much as you want, and no one will give you any homework. 😉

Bonus bonus: I recorded a reading of the poem, too, so if nothing else I hope you’ll go listen to a truly gorgeous piece of work (the poem, not my reading). Poetry is meant to be heard!

The full post is below. And don’t forget to subscribe to my blog to get the next 8 “A.N. 10” highlights in your email! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


Unpack the Poem: “Inland” by Edna St. Vincent Millay


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The A.N. 10 #1: Spec Fic Quick Trick

Hi everyone! It’s time for my first pick for The A.N. 10! I say first, but these aren’t in any kind of count “down” or “up” order; it’s just ten total posts I feel are worth resharing.

“What Is Speculative Fiction?” is the most popular blog on my site, though—excluding pages and my The Organized Writer documents. It’s received the most comments, the most shares, the most searches, and the most attention. I’ve had agents, professors, editors, and authors ask me if they can use it to help explain speculative fiction to writers and readers. A few years ago, I finally got around to updating the graphics, too, because so many people kept coming back to it.

I’m absolutely thrilled with how much it’s helped clarify an often-foggy concept for people! It’s a great example of how we sometimes underestimate the value of what we know; I totally took for granted that my understanding of this genre was universal. Clearly not! How cool to be able to share my knowledge in a way that people seem to click with. I hope you enjoy it too!

The post link is below; click through to read it and join the comments. And don’t forget to subscribe to my blog to get the next 9 “A.N. 10” highlights in your email over the coming months! (Put annie@annieneugebauer.com in your approved senders list to make sure my blogs don’t get lost in spam.)


What Is Speculative Fiction?


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My 10 Year Blogiversary: Introducing The A.N. 10

Somehow, I let the end of last month slip by without realizing that it was my ten-year blogging anniversary! TEN YEARS! I can hardly believe I’ve been blogging for over a decade now. Holy wow. That means I started when I was 22. My first blog was on Webs instead of WordPress, and it was as much random rambling about silly stuff as it was about literature, life, or really anything cohesive. A lot of those very early posts have… mysteriously gone missing. 😉 (Although, somehow, I’ve left up “20 Advantages to Having a Big Nose” and it is still one of the most searched-for posts on my site. Mysteries of the universe.)

In late 2011, I finally sucked it up, made the switch to WordPress, and bought my domain name, transferring most of my content and creating a new design that’s much the same as it is now. (It’s probably time for a revamp!) That’s when my blog began to gain traction. I like to say that I got into the blogosphere after the boom but before the bust, so I’m somewhat grandfathered in despite blogging’s general current slump.

Since then, I’ve gone through booms and busts of my own (both on and off the blog), branched out with guest posts on other blogs, and signed on as a regular columnist for Writer Unboxed and LitReactor. Some of my posts have taken off, and others have quietly fizzled. I’ve learned a lot, shared a lot, and met lots of really cool people—some who’ve popped in and out, some who’ve come and gone, and some who’ve stuck around from day one. I wouldn’t trade it.

It occurred to me, when trying to think of a way to celebrate 10 years, that a decade is a long time. That’s a lot of blogs and a lot of readers. Many of you who are with me now have missed some of my favorite posts! And even those of you who’ve been around for a long while have probably forgotten about many of them. So that’s how I’m going to celebrate: 10 years of blogging deserves 10 highlights, don’t you think?

Over the next few months, I’m going to be re-posting my 10 favorite blog posts. Some of them will be those with the most comments, shares, or views; others will be personal favorites or fan favorites. No order, no countdown, just 10 posts you might want to take a look at. I’m calling it The A.N. 10 (#TheAN10 for those of you on social media). And no, it won’t include 20 Advantages to Having a Big Nose.

If you have a favorite blog or two (posted here, not on Writer Unboxed, LitReactor, or elsewhere), please feel free to tell me which one(s) it in the comments below! I have a good idea of which 10 I want to highlight, but if you feel strongly about one, it just might push me one way or another. Plus, I love hearing if/how something I’ve written has stuck with you! That’s why I blog!

Thank you all so much for following, sharing, commenting, and subscribing. Whether you’re old, new, or just passing through, you’ve contributed to a wonderful decade of my writing life that I never expected. So thanks, and happy reading. ♥

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To Write

Hello, folks!
 
Just a quick stop-in today to share a poem. Some of you might have seen me mention that my poem “To Write” has the great honor of opening Apex Book Company’s anthology Do Not Go Quietly. This is a gorgeous anthology of resistance, and I couldn’t be more proud of my part in it.
 
 
As an cool bonus, editors Lesley Conner and Jason Sizemore have decided to post my full poem as an excerpt for the anthology on the Apex blog, so now you can read it for free! 
 
 
Of course then you’re probably going to want to order the book. Go for it. It’s gorgeous, and you can get it in ebook, paperback, or hard cover.
 
Enjoy!
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Original vs. Unique

Consider the difference between these two reactions, theoretically spoken by movie-goers as they leave the theater:

“What an original concept.”

“What a unique film.”

While at first they might seem like different ways to say the same thing, I actually think they’re quite distinct, although it’s taken me a long time to realize it. Really, I only realized it because I’m a creator; I think if I were only a consumer I might never have thought about it enough to parse out this important distinction.

If you’re a writer or other type of creator—and have been for any length of time + don’t live in a bubble—you’ve almost certainly come up against the issue of “influence” and “originality.” You write a poem, paint a picture, or design a set, and submit it for some sort of external consumption, and someone tells you, “Oh you know what that reminds me of…”

Influence is when we do this on purpose, consciously or subconsciously. I’ve read a lot of Edgar Allan Poe in my life, for example, so there are times when the influence of his work on my work creeps in even when I’m not setting out to let it—which I also sometimes do.

But what is it called when the effect of influence is there without the actual process of it? I can’t tell you how many times I’ve had stories or ideas compared to authors or works I’ve never even heard of before, much less seen or read. Obviously, they didn’t influence me. And yet, any consumer familiar with both will see a connection there.

I don’t know of any actual literary or artistic term for this, but I’m going to call it coinfluence: coincidental “influence.” Coinfluence is what we’re talking about when we say that there are no new ideas left in the world. (I mostly do believe that’s true.) It means that I can come up with an idea I think is totally original—I got it from nowhere but my very own brain—and still be directly compared to existing works that I’ve never actually consumed. A great example is my short story “Zanders the Magnificent,” which was published in Fireside Magazine several years ago to great reviews… and more than one message asking me if I’ve seen the movie The Prestige. (I had not, although I did after being asked for the third time.)

Top: The Prestige (2006) starring Christian Bale and Christopher Nolan. Bottom: Zanders the Magnificent at Fireside Magazine, illustrated by Galen Dara.

My concept was original to me, but it wasn’t actually fully original within the world. Not if people could point to another creation and draw clear comparisons. Still, the comparison didn’t bother me. Why? I’ve finally realized it’s because I care far less about originality than I do about uniqueness. (And yes, I do think “Zanders” is unique. 🙂 )

[Note: I forgot to mention in my original post that if you haven’t yet seen The Prestige and want to, reading “Zanders” first might be something of a spoiler. The twist in the film is the basis for my story, so if you’re wanting to check out both, I recommend seeing the movie first.]

What do I mean by unique? I mean a creation that feels special, individual, and like a thing that only that one creator could have made. It’s the opposite of writing by committee: it’s an artist being true to their voice/vision/style. Twenty authors could sit down with the same outline and theme and end up with twenty vastly different books, right? Because each author is unique. And, yeah, I know that “unique” is supposed to inherently exclude degrees of intensity, but that’s not the practical reality: some things are more or less unique than others. How far does one dare to deviate from the expected, the routine, the standard? The more specific our viewpoints, our goals, and our aesthetic, the more unique the outcome will be—regardless of whether or not it’s “original.” (Truly original or original barring coinfluence.)

This is an important lesson for me, one I sometimes have to come back to and remind myself of. Especially in those early brainstorming days for a new project, it can be so easy to get caught up in what’s been “done before.” Spoiler: everything has been done before in some capacity or variation. If you think it hasn’t, it’s almost certainly just because you haven’t found that work yet—not because it doesn’t exist. Realizing this can totally derail you from pursuing a worthy concept.

Concepts are rarely original anymore. Some are more so than others, given the right twist or “take,” but originality isn’t actually the important part. I still generally aim to be original at least within my own knowledge, simply because the fresher a concept is to me the more appealing it becomes to explore, but when I inevitably find the comparisons that I didn’t know about, I try not to let it bother me.

There are no new ideas, only new creations. And those creations can be as unique as we want them to be. (That’s why we continue to see remake after remake, and retelling after retelling.) Only I can tell my stories my way. Someone else can tell them their way. Someone else can even try to copy my way. (Influence.) But no one else will ever be able to fit themselves directly into my particular set of experiences, outlooks, goals, and visions. Those are mine, and they make me unique, just as they make unique the authors and artists who influence me.

I adore originality. It’s hard to come by, but so delightful when we find it. I’m not knocking it. But at the end of the day, it’s not required for a work to be truly unique. Some of my favorite novels, like House of Leaves and Bird Box, I loved at first because I thought they were original. I’ve since learned that neither is actually fully original, and that that’s not a criticism, because they are both utterly, spectacularly unique. Influence or coinfluence: I don’t necessarily care if/how they speak to the works that came before them. I care that they reached down into my psyche and rattled me with something fresh, new. Unique.

When it comes to originality vs. uniqueness, what concerns you? As a consumer? As a creator? I’d love to hear your thoughts!

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