Typos

Originally posted on March 10, 2011 at 4:05 PM

For a perfectionist like me, the internet is an imperfect thing, seeing as it allows me to be less than perfect.

Not only does it not correct my mistakes as I go, like my dear friend Spell Check, it immortalizes my errors and typos in some alternate universe of permanency, forever to be viewed by mortal eyes, no matter how many times I jab the backspace button or frantically re-click “delete” on old posts. They are still there, hiding around the corner of some tightly woven cable, ready to pop up when someone Googles just the right phrase.

My careless skip of a “g” in a verb is floating in cyberspace, taunting me, crouching until just the right time. And my hasty spelling of “grammar,” or god forbid the your/you’re debacle – that one time I slipped up. They all lie in wait, hackles raised, teeth bared, angry that I created them and left them there to die. Their only revenge? Reveal themselves at just the right (wrong) time.

One day, someone will Stumble Upon a key mistake and seek me out, accuse me of lying, confront me. They’ll post banners on my house that say “NOT AN ENGLISH MAJOR!” A mob will form. Eggs will be thrown. Someone will create a dangerous virus and release it in my back yard, trying to flush me out, but it will mutate and evolve more quickly than anyone could have known. Grammar Nazis will become zombies of punctuation-rage. They will pound on my windows, rip down my bricks, reach under my door, moaning, “YOU LEFT OUT A COMMA!”

Meanwhile, I will be at my computer, dry eyes staring straight ahead, Dr. Pepper like an automatic extension of my free hand, trembling as I type, trying to put things to rights. I will let my mouse scurry all over the screen, searching for scraps – hunting for little bits of imperfection to annihilate. But the mouse and I both know it is too late. Some mistakes cannot be undone. Some mistakes have already been seen by thousands of eyes, and our reputation will never be whole again.

Finally I will break down, fling open the door, run into the horde, and scream, “Okay, okay! Take back the diploma! Rid me of these shameful tragedies!” I will hold out my shaking hands, wretched, with a sob on my lips and defeat in my lashes, and then I will be consumed.

You got me, interwebs. I have made typos. I am unworthy.

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How We Ran Over my Husband

Originally posted on March 3, 2011 at 3:24 PM

When the hub-a-dub and I were at the ripe young age of 16 (yes, back when Kyle was just a dub), my mom took us (Kyle, my brother, and me) to Port Aransas beach for a short vacation. Quick summary of the internal relationships going on: Kyle and I were 16 and secretly dating. We were also best friends and that’s what everyone else thought was all we were. My brother Robert is one year older than us, and he and Kyle were pretty much best friends too. At this point, Kyle was around so much that he was already a member of our family, which is why he went on vacation with us.

One night after my mom had gone to bed, the three of us youngsters decided we were going to drive around the small town to a gas station to get some snacks or something. This is what teenagers do when they’re bored and having a driver’s license is still cool. Although some of you may not believe me, I’m going to go ahead and say now that none of us were under the influence of any illegal substances. Seriously. That’s not how we rolled. (So many puns!)

And so it was in my mother’s minivan that the infamous event occurred.

You see, Kyle has always been a daredevil. In fact, when my mom asked his mom if Kyle could come with us, she gave my mom a medical release form. Now at the time, we were all thinking, “Holy crap, lady, take a chill pill.” But as you will see, she was simply taking the most basic of motherly precautions for her accident-prone child.

Kyle: “Hey, Robert, if I got out right now, do you think I could run alongside the car?”

Robert: “Dude, no way. We’re going 15 miles an hour.”

Kyle: “Awwww… that’s not that fast.”

Me: “Um, yeah it is. It’s way faster than it looks.”

Kyle: “No way! You don’t think I can do it?”

Robert and me: “Nuh-uh.”**

*long pause as Kyle examines the road out the backseat window*

Kyle: “I’m gonna do it.”

Me: “Oh, I really don’t think you should.”

Kyle to Robert: “Don’t slow down. Just keep it steady. I’m gonna hit the ground running.”

Robert: “Okay.” *facepalm*

The thing that happened next is crystalized in my memory. My mom’s minivan had an automatic sliding door with a safety feature that wouldn’t let it open unless the car was in park. Well, Kyle forced it open anyway – the alarm buzzing like a freaking tornado siren. I was sitting in the bucket seat next to him. It’s amazing how much faster the ground speeds by with the door open than through the window. Kyle grabs on to the oh-shit handle and jumps out.

For three long seconds, I see Kyle’s legs working so fast they look like the blur of Roadrunner. And then I see his face go from hell yeah this is awesome to oh my god I’m gonna die.

Now you may laugh to read that this is the point at which Kyle says he begins to regret his decision. (Really?) He says that if at this moment he had just let go of the handle and rolled off the road he would have been fine.

But he didn’t.

He decided to try to use the handle to leverage himself back up into the car as it began to drag him along. Such a feat is nearly impossible. It didn’t work. Kyle’s legs got sucked under the minivan. He lost his grip. He hit the road.

There was one soft, sickening thump as our back right tire went over him like a large, squishy speedbump.

Robert stopped the van. I put my hands over mouth and watched my entire future change in the space of a blink. “Oh my god,” was all I could say. We killed Kyle. How the hell am I going to tell his mom?

About six seconds later, Kyle hopped up and yelled, “I’m okay!”

You should really hear Kyle tell his side of it. I’ve heard him describe in slow motion how he didn’t have enough time to roll out of the way but he could see the wheel coming soon enough to scoot first his family jewels and his face to the side so that his torso got the brunt of it. He had pieces of asphalt stuck in the road-rash on his bum and tire tread-marks diagonal from hip to shoulder. I have pictures to prove it, but I don’t think hub-a-dub wants everyone on the internet to see his ass. (Although, to be fair, it’s a very nice ass.)

He lived, in spite of the fact that we somehow thought it would be a good idea to pour Bactine over his raw wound. And to not tell my mom until the next morning. For some reason, we thought she might “overreact” and demand that he go to a hospital. Gee golly, parents sure know how to ruin teenagers’ fun.

So that’s how my brother ran over my husband – the husband that almost never was.

If you’re good little children, next time I’ll tell you about the time we found the snake in the chicken coup. Until then, you’ll have to content yourselves with the saga of Roomba’s naughtiness, the time I lost my toe, and the oldie Kayakeroos. Ta-ta now!

**As you can imagine, Robert and I soon learned not to tell Kyle he can’t do things that he shouldn’t be doing. And don’t ever, EVER, bet him a dollar. *gets an idea* Hey hub-a-dub, I bet you a dollar you can’t do all of the laundry from now until we’re 80…

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11 Things I Learned at DFWcon

Originally posted on February 28, 2011 at 4:47 PM

Just got back from the con last night, and man my head is spinning. Not only did I get my first requests (yes, plural!) for full manuscripts, but I also got requests for partials, met tons of awesome writers and almost a dozen amazing agents, had a blast with my writing BFFs, and learned enough good stuff to turn my brain into mush. So, let’s make your brain mush too!

1. The Gong Show is more entertaining than TV.

2. The Gong Show is also the most educational way to study queries. I learned more about query-writing in that first hour and a half than I have in a lifetime of classes, critiques, and articles. Fabulous.

3. When at a con, agents are pseudo celebrities, but nicer. (You can actually talk to them!)

4. Thanks to a fabulous class by Jessica Sinsheimer: I can put myself in the top percentile of query-ers just by following directions, being intelligent, and putting in the effort.

5. If you wear a hat, you are more memorable. (Jeff Posey’s got it down.)

6. My friends like to sleep with the room extraordinarily cold.

7. Writers’ conferences (or at least this one) are an incredible value and well worth the money.

8. Holding a glass in your hand at a cocktail party makes everything easier, even if you don’t drink from it. (Something to make you look less awkward.)

9. “High concept” is almost impossible to explain, but easy to recognize. Not all books are high concept. This is okay. Thanks, Colleen Lindsay.

10. “Portals happen.” –Amy Boggs

11. If you really want something, it is definitely worth hoping, worth overcoming fear, and worth taking risks. Dude, just go for it.

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10 Ways to Make Your Writing Wicked-Good

Originally posted on February 16, 2011 at 12:20 AM

With all of the writing blogs out there, doesn’t it eventually begin to feel like everyone is just regurgitating the same advice in different phrasing? Well, you won’t have to worry about that here. Writers, I present to you:

10 Ways to Make Everything You Write Shoot Immediately to the Top of the NYT Bestsellers List and Gain Dozens of Lovers AND Have Obama Ask You to Give the Next State of the Union

10. Work naked. It frees you from doubts and inhibitions, and if you take pictures you’ll get lots of followers on Twitter. (Incidentally, follow me on Twitter!)

9. Try alternating your sentences between long, flowing, voluminous sentences that seem to roll like the spring grass on the hillside of a place so magical it could only exist in the mind, and fit in so many clauses and extra phrases that one loses sense of place and time and becomes one with the words like bathing in softly flowing rain until the letters gain their own individual meaning and impart it to you like the nectar of truth, and really short ones. It works.

8. When in doubt, make your characters start arguing violently.

7. Write only one sentence a day. Perfect that sentence. Tomorrow, move on.

6. Alternatively, write your entire novel on methamphetamines without ever stopping to eat, sleep, or pee.

5. Pay someone better than you to do it for you.

4. Don’t worry about quality. Just carry around a machete when you solicit sales.

3. If you write something that actually sounds decent, be sure to cut it out of the final draft. You’re supposed to murder your darlings, remember?

2. Whatever you’re writing, sprinkle in some monkeys. Everyone likes monkeys.

1. Do all of this simultaneously, preferably while wearing a hat that looks like this:

funny hat

This works for me. It will work for you, too. Guaranteed*.

*Lies.
Posted in Silly Stuff | Tagged , , | 6 Comments

Horror and Terror

Originally posted on February 19, 2011 at 7:10 PM

*Disclaimer: this is the horror-genre connoisseur’s post. If you don’t like that genre, you probably shouldn’t read this. It might make you angry. It might make anyone angry, for that matter. Fair warning.

“Horror” and “terror” have always been interesting words to me. They’re often used together, so obviously they have some connection, but the fact that they are used as a duo (as opposed to interchangeably) also signifies that they have distinct meanings. Otherwise, why list both?

I’m certainly not the first person to think on this. In fact, it’s been an ongoing discussion in the literary community since gothic writer Ann Radcliffe (author of the fabulous The Mysteries of Udolpho) first brought it up almost 200 years ago. Here’s what Ms. Radcliffe had to say:

“Terror and Horror are so far opposite that the first expands the soul, and awakens the faculties to a high degree of life; the other contracts, freezes and nearly annihilates them …. And where lies the difference between horror and terror, but in the uncertainty and obscurity that accompany the first, respecting the dreading evil?”

Essentially, what I interpret Radcliffe to be saying here (and in other readings I’ve done), is that terror inspires fear while horror inspires distaste. And furthermore, that the first is sublime while the second is despicable. I’ll wait. Go ahead. Re-read that.

*gasps*

*other people wondering why there were gasps*

*someone goes back to re-read it*

*more gasps*

*confused looks*

Okay. I’ll explain. You know that slow-moving ghost story that keeps you awake at night for fear of a bodiless man standing over your bed? That’s okay. Desirable, even. That takes you to new heights of living. But you know that movie that you’d be uncomfortable watching with your mom? The one that involves eviscerating people with a pocket knife? That’s not okay. That makes you a scum bag.

Horror-genre lovers, you may gasp now.

As much as I love Radcliffe, I believe her to be a victim of her time. Thankfully, horror creators today don’t share her qualms, although at least the most notable among them seem to agree with her distinctions:

“I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. I’m not proud.” –Stephen King (emphasis mine)

Why, Mr. King. Perhaps you’ve tapped into something.

I agree that terror, as a horror writer, should be the priority. I.e., causing fear in the reader. But I don’t agree with why. I don’t think it’s the “finest emotion” of the two or that it “expands the soul.” I think, quite simply, that it is harder to accomplish. Any Jo Blow off the street can gross you out or sicken your morals, but only the most talented can make you look over your shoulder, make goose bumps stand out on your arms, make your neck crawl. And thus the hierarchy is based on skill, not on some philosophical idea of one emotion being finer than the other.

I’m not arguing that gross-outs are noble. I’m arguing that terror isn’t.

And while I’m at it, I might as well piss everyone off: neither is romance, love, empathy, pity, bravery, loss, or humor. Sorry guys, but I’m just not buying it. We are humans. Emotions are biological responses. One is not greater than another, just different.

So by all means, horror writers should strive for terror first, horror second, and ickies third. But not because of some mislead notion that one will get them (or their readers) to Heaven faster. Just because it’s a way of narrowing the field. The best writers can accomplish the first, the worst only the last. Go ahead, scare the crap out of me. Prove yourself.

Disagree? I love to debate. Feel free to comment.

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