Cleaning out the Exhaust Vent

I’m continuing my celebration of National Poetry Month by posting a poem here each week. My sonnet “Cleaning out the Exhaust Vent” won a local poetry contest and was subsequently published in the winners’ anthology Versifico. For a while it was available on the library’s blog, but since it’s gone inactive there I’m reprinting it here.

It’s fitting because my dad’s birthday is in April, and I’m always thinking about him this time of year. One of the things I carry in my memory is his scent, a mixture of things—one of which was baby powder. He used baby powder like it was going out of style. We used to tease him about it. He’d sprinkle it on after a shower, so his bathroom was always just layered with it. After he died, my brother and I sorted through his things and cleaned up the house to sell. When we got to the dust-caked exhaust fan in the bathroom ceiling, this is what happened.


Cleaning out the Exhaust Vent

We didn’t know if we should laugh or cry
when baby powder fell instead of dust—
sifted like the softest snow from the sky
and floated through the room to blanket us
in memories and smells just scarcely dead
of how, for him, the powder was a must.
You lowered the canned air from overhead
to cough out puffs of white—and I did too—
then ruffled your hair, looked at me and said
“It’s baby powder,” and almost on cue
a salty, misty film filled up our eyes
like goggles, even as our smiles grew,
and through all of the heartache and surprise,
we didn’t know if we should laugh or cry.

© Annie Neugebauer, 2016

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Rocking

The view out my office window keeps getting greener and greener, and I can’t get enough. (Neither can my cats, who very much enjoy the influx of food watching energetic birds and squirrels.) There really is something about the new growth that brings poetry back to the forefront of my mind. Just this morning I sat down and poured out a poem, and it’s been several months since once struck me with that kind of urgency. It’s a great feeling.

To continue my celebration of National Poetry Month, today I’m sharing a reprint of my poem “Rocking.” This one first appeared in the 2017 Texas Poetry Calendar, an annual regional favorite that I’ve been lucky enough to have several poems in. Then “Rocking” was reprinted in the 2018 edition, which was a sort of editors’ choice/best-of compilation. The 2018 calendar can be found in the Dos Gatos Press store or on Amazon for $15.95.

And now my poem can also be found here. 🙂 Enjoy!


Rocking

On the back porch
at dusk
we rock,
slightly discordant:
not synchronized,
nor alternating – not quite.

My bare toes
push off the patio table
while your thick boots
press against the ground,
and we sit
silently
in the need of so many words

that hover around us
like fat bees in the heat –
always close,
but never touching,
scenting the sweet
of our skin.

I am stung.

“I love you,”
I say quickly.

You pause your rocking
for a fraction of a moment,

smile slightly,

and resume,
the rhythm of your chair
now synced with mine.

© Annie Neugebauer, 2016

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Dragging the Waters

Hello, chicks and chickadees. Spring is springing here, and I’m grateful for the new green. I’m so eager I’ve even bought a few kitchen herb plants, which is a hilariously optimistic endeavor if you know how bad I am at keeping flora alive. I’m starting with a low potential kill-count of three: thyme, mint, and chives. Ah, the eternal hope of April.

April is also National Poetry Month, as you may know, which is one of my favorite things to celebrate. Over the years I’ve noted the occasion in many different ways. Since 2009 I’ve shared poems that were paired with work by artists in a really cool local collaborative exhibit called Merging Visions. I’ll have a poem for 2018 too, “Strolling in Iambic Pentameter,” but this year’s isn’t until fall. For several different years I hosted poetry-centric blog series that did everything from teach sonnet writing to share recommend poems to analyze classics line by line. They’ve all been fun, but what to do this year?

The stars have aligned, because when I looked at my list I realized I’ve developed a pretty significant backlog of poems I’ve never reprinted. My normal M.O. has been to post a poem here after it’s been out for a while elsewhere so that more people can read it—especially for poems that were published in print editions only and can’t be found online. Somehow, I’ve let 19 of them build up in my queue. Gulp! Don’t worry, email subscribers, you won’t be getting 19 posts in your inbox this month. I think one/week sounds about right. 🙂

So I’m kicking things off this week with my first one: “Dragging the Waters.” But before I get to it, below, here’s a quick snapshot of my most recent posts elsewhere that you might have missed, all at LitReactor this time:

Just click the images to visit the respective posts!

And now, this week’s poem. “Dragging the Waters” was one of my earliest publications. It appeared in Issue no. 7 of an online magazine called Phantom Kangaroo in 2011. Since the ‘roo has gone under, I think it’s high past time to have the poem posted here. It’s a strange, haunting little creature, and I hope you enjoy it!


Dragging the Waters

“Keep looking!” she screamed
over the wind.
“Keep looking!”
Panic pitched her voice so high
I almost lost it
amidst the waves crashing
just beyond our feet.

“Yeh heard ‘er!”
the bearded man bellowed
from my right.
We drag ‘em again!”
and he pulled
his corner of the net
deeper,
me and my corner
trailing with it.

© Annie Neugebauer, 2011


Thanks for reading! Join me back here for the next few weeks to read more poems. Happy National Poetry Month!

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Strange Needs, An Honor to Be Nominated, and the Meaning of Retreat

It’s been a little while since I’ve checked in here, because sometimes life grabs your planner and runs away giggling. That and, as I’m sure some of my old regulars know, writing for LitReactor about twice a month and Writer Unboxed every other month (now every three) takes up a lot of my blogging time, so I post here less often. That works out okay, considering personal-level writing blogs seem to be on the downtrend. I won’t fight it, but I do like being able to come here when the urge strikes me and say hi to all my ethernet friends. 😊 (I’ve checked, and at least some of you seem to be made of real skin and not pixels, which is reassuring.)

So before I get into what I’m up to, here are the four posts I’ve had elsewhere since last time (click the images to go to the posts):

Summit Fever is about appreciating the journey of writing instead of constantly striving for goals. Artistic Nemesis is a cheeky but actually pretty useful post about allowing yourself to hate good books. Women in Horror is a totally biased list of kickass ladies you should read (all year round). And the Horror post is a huge, intricate infographic that breaks down everything you’ve ever wanted to know about genre, style, and more; it borrowed hours (okay days) of my life and I don’t even want them back, so I hope you’ll go check it out.

Aside from the occasional blog and infographic and tweet, what have I been up to? Well, I had a pretty intense love affair with Tana French’s books, which are these amazing mystery novels with touches of horror and a whole lot of complex character building. French’s prose is some of the best I’ve read in recent years. I’ve read all there are so far and will preorder the next as soon as I can. My point being, definitely go read those. Probably start with Broken Harbour.

I’ve also been working very hard, quietly, and diligently on my WIPbeast, which is what I’ve nicknamed my seventh novel. Somewhere along the way I actually managed to finish drafting it and tame it into a functional shape, so now I just get to make it pretty. It’s probably my most ambitious project to date, and man am I a person who thrives on a challenge. It’s been a fantastic ride, and I hope I get to tell you about it sooner rather than later.

Notably, this past awards season I was nominated for two different honors. In a super sweet surprise, I was up for the Published Author category of my local community awards, the Denton Arts & Music Awards. And in a huge personal thrill, I was also nominated for a Bram Stoker Award in the Short Fiction category for my story “So Sings the Siren” in Apex Magazine. I think these were my two first nominations, and what a strange and wonderful experience they both were. I didn’t end up winning either of them, but the reality of that gave fresh understanding to the trite old phrase “It’s an honor just to be nominated.”

For the DAM Awards, my first reaction was thrill, followed very quickly by imposter syndrome, followed gradually by genuine delight. I went to the awards ceremony and didn’t win, and it turns out I was just fine with that. I think it’s really cool that someone in my community thought I was worth putting up for the award at all. (I heart my writing community.)

For the Stokers, my first reaction, upon making the preliminary ballot, was… holy shit. Then elation. Then telling myself not to get my hopes up. I mean, real talk, I have always dreamed of winning a Stoker. I knew what the Stokers were before I even knew what the HWA is. My dad used to get his what-to-read-next books from the winners lists. (Which also means many of the books I took from his shelf came from the winners lists.) So when I say I dreamed of winning a Stoker, I really mean, like, long-term dream goal. A someday thing. Maybe in ten, twenty, thirty years I might be in the running for a Stoker. So to be nominated now—well, it’s been the thrill of my career so far. And to make it to the final ballot was way more than I expected, so, yeah, really, it is an honor just to be nominated. The nominees are a swoon-worthy list, one I’m elated to be on. 😊

Now that awards season is over and life has slipped my planner back under the door, I find myself all itchy and antsy. That sense of yearning with no exact object in mind: that happens to me over and over in my life. It expresses itself as wanderlust, as autumn restlessness, as spring impatience, as summer jobs, as poems that burst with need, as feeling called to the ocean in almost mythological proportions. I want, and that wanting has come again. I want spring, and the sea, and my next big project, and deep, sweet things that have no name. Strange needs I can’t name but try to meet anyway.

Something about them, the needs, has had me thinking lately about the meaning of the word retreat. My annual writing retreat with my bestie is coming up—just days away—and I couldn’t be more eager for it. I’m going to use it to dive deep, deep into the WIPbeast and push it towards finished, that good hard work that needs to happen in long chunks rather than short snippets. Concentrated effort. It’s retreat work, and it’s interesting to me how I’ve come to think of that over the past five years of this particular tradition with my friend. What does it mean to retreat? To withdraw, draw back, retire, slink away into privacy and seclusion. All of that to work, uninterrupted, on the art I work on all the time. So it’s actually the opposite of a vacation, where I leave work to enjoy life. In retreat, I leave life to enjoy work.

Retreating is kind of like a second honeymoon with writing. We’re already committed. We already spend most of our time together. But this one trip is extra special. It’ll be fun. It’ll probably be pretty emotional, secretly hard. But if we both put in the time, I’ll leave it feeling recommitted, reinvigorated, and reinspired. To retreat is to renew. It’s to cover a bunch of ground, crank out tons of work, have some fun, get punch drunk, and do deep work that renews all the good things. We don’t retreat from writing; we retreat to writing.

And I am very much looking forward to that.

What have you all been up to? Anyone overdue for a retreat of your own?

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Celebrating 2017

I love the New Year. Honestly, it’s not so much about the fresh start as it is about the closed cover, the checked marks, the lid snugly fitted on the pot. I like to finish things. I like things tidied up, accounted for, and filed away. That’s my nature. So while, yes, a fresh start looks awfully pretty, for me it’s less about the opportunity to change things and start over than it is the reminder to pause and look back. It’s time to appreciate, reflect, and let go.

So I’m looking back on 2017, trying to get the taste of the year as a whole.

A couple days ago on the 31st, I sat down with my brand new planner all spread out with stickers and pens as per my annual tradition. (Yes, bask in my nerdom; isn’t it glorious?) I love filling out my new planner with all I know so far: birthdays, plans, trips, appointments. And I love filing away my old planner, all stuffed full and marked up. One of the final things I do with it is total my word count for the year. A few weeks before the end of the year I let myself get a preliminary total just from curiosity, and I was at 216,000. I was pleasantly surprised by that, especially considering that (unlike 2016, my year of 1k a day) I was not trying to get tons of words in 2017. No concrete daily goals, nothing. I was just working.

A month of thinking my total would be at least 220k, my best year yet, and then I counted up the year. 196,500.

3,500 words short of a nice even 200k, and thousands less than I’d counted. (And I still don’t know how I miscounted that first time, or maybe even if I missed recording some words somehow.) Not gonna lie to y’all: I cried. I was so disappointed. I knew it was stupid even as I was crying, but I felt how I felt. I know that 200,000 is an arbitrarily even number and doesn’t mean anything. I know that 196,500 is a fantastic word count. I wasn’t even trying for high words this year; my intent was to focus on the work and not the numbers—which I did beautifully until I saw 216k and got all happy about it. If I’d never had that number, I would’ve been content with my 196k.

The thing is, my job is so intangible. It’s a privilege to be able to write full time; don’t think I don’t know that. But it’s also really hard to work my ass off all the time and have so little concrete product to show for it. I don’t get a regular paycheck, and the income I do make is meager. Word count is one of the most concrete things I have to point to (for myself; no one is demanding this but me) to say, Look how much I’ve done.

Clearly this is an opportunity to get a better perspective and grow. I know. I knew it even as I was being all disappointed.

The next day, January 1, I did my traditional ordering of the year’s financials. (Again, glorious nerdom; try not to swoon.) For several years now I’ve used New Year’s Day to get all of my writing receipts and records in order so that taxes will go smoothly. And I am about to try to sell you here, but I swear every word of this is true: my traditional largest-chunk-of-the-day tidying has whittled itself down to ten minutes thanks to my Writing Expense and Income Tracking Spreadsheet. Yes, I use my own resource. And yes, it works really freaking beautifully. I opened it to delete the rows I never used and input my utility bills for my office portion of the house. That was it. It took ten minutes. Tradition happily spoiled.

[Even more blatant selling pitch: I love my spreadsheet so much, and believe in it so genuinely, that I’m offering a New Year’s discount for writers who want to start their own. You can use it year after year. Enter the coupon code New2018 to get $3 off, which means it’ll be 6 bucks. Steal.]

So anyway, I finished up my financials for 2017 and found one happy surprise: I’m in the black this year. I’ve made income for several years now, but by the time I deduct every last work expense allowed to me (retreats and conferences and printer paper and website hosting, etc.), I’ve always ended up technically in the red, even if it’s just a little. This year I’m in the black, and that gives me something tangible I can point to.

I made this family $32.07. 😀

Joking aside, it does feel good to have some concrete stuff. I also took a good hour or so making a big list of work things I did in 2017, which I’ll share here for anyone to skim or pick through if they’re interested in catching up (but feel free to skip down if you’ve been following me already):

I admit, I felt surprised by the time I’d finished that list. I did much more than I’d felt like I did. And when I went through my Joy Jar, I realized why:

It’s because day after day, week after week, month after month, I showed up. I did the work. I made the effort. Even when it didn’t feel good, when the work was slow or hard or crappy, I showed up. And that’s why, piece by tiny piece, I was able to cobble together a year worth making a list about. I’m proud of that. I wish it didn’t take a New Year’s list for me to be proud.

Which brings me to my resolution for 2018: I’m going to celebrate more.

Most writers don’t share the bad news. It’s not good business to share every rejection we get, each time we’re heartbreakingly close, each time we have to scrap or trunk or overhaul a thing we love. But this job is filled with more nos than yeses. I promise you, no matter how successful the writers you follow, they have heartbreak and trial and rejection going on behind the scenes—probably much more of it than the good stuff you get to hear about.

I have a tendency not to want to share my good stuff too much because I’m afraid people will feel like I’m misrepresenting the bigger picture—or worse, bragging. That’s bullshit. I know it’s bullshit, and I’ve already been working on it, but this year I’m going to work on it with more intention. I shouldn’t feel like I need to apologize for landing an amazing story publication or being endorsed by someone I admire or working my ass off to get an ambitious novel written. Each announcement doesn’t need to come with a humility caveat. I should just be happy, and share it, and let the people who want to be happy with me be happy with me. (And the others, well…)

So I will, and I hope you will too. I love to be happy with you all as well.

What do you have to celebrate from 2017? Have you named a resolution for 2018?

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