My Agent Story

I’ve been waiting years to write this blog post. It feels pretty surreal to finally be doing it. I have the most wonderful news: I have an agent!

I am now officially represented by Michelle Johnson of Inklings Literary Agency.

There’s a pretty crazy story to go along with this awesome news, but first – as is traditional in the writing blogosphere – I shall throw a .gif party:

Okay, now that I’ve gotten that out of my system, let me tell you the kind of incredible story of how I went into a ten-minute pitch session at a conference and came out with an offer of representation.

I queried Michelle with Once the Darkness Comes a couple of months before DFWcon (a writing conference in Texas the first weekend of May). In my query I mentioned that I was going to DFWcon too, and that I hoped to meet her there. Our pitch sessions weren’t assigned yet, but I knew she was going to be my choice.

I don’t really know why I queried Michelle before the con, to be honest with you. I knew that I was pitching Scarcliff this year, not OTDC, and so I thought it would be interesting to “feel her out” with one project before we met and I pitched another. I guess it was sort of a social experiment for me: what would it be like meeting someone who’s already either passed or requested one of my projects? If she hated the idea, I could always switch to someone else who might be a better fit, and if she liked it, I might get some more detailed feedback face to face than in email. It was a strange move on my part, but I did it anyway.

On the Wednesday less than three days before the conference, I got a very interested email from Michelle requesting the full manuscript of Once the Darkness Comes – she even hinted that she might be reading some of it on the plane! I later found out that this tweet was about me:

That moment when you've read a query, requested the manuscript and have to keep yourself from refreshing the inbox. #justsenditalready
@MJsRetweet
Michelle L. Johnson

*bursts with squee*

Of course I sent her the full as soon as I got the email, and I let her know that I was planning to pitch a different book and looked forward to meeting her (by then I had gotten her as my pitch session).

Saturday morning rolled around and the first thing that happened when I walked into the main room was a guy I didn’t know came up to me and asked if I was Annie Neugebauer. Baffled, I said yes, and he said, “You’re pitching to Michelle Johnson today, right?” I was like, “…Yeah” (while wondering what sort of mind-reading this guy was capable of) and he asked if I’d like to meet her.

It turned out that he was a nice guy named David, her “wrangler” for the weekend (the volunteers in charge of assisting the visiting agents, getting them to and from the airport, etc.). So he took me to meet her, which was a little awkward since I wasn’t sure why, and we shook hands and said hi. She said something to the extent of “Gosh, you really tore me up,” referring to OTDC, then added, “But we can talk about that in our pitch session.” I wasn’t quite sure what that meant, if it was a good or bad thing, or if she had specifically asked to meet me or what. I spent the rest of the day overanalyzing every detail of what she’d said. I played it totally cool.

My pitch was at 3 in the afternoon. I went into the big ballroom with its dozen or so agents scattered at separate tables and sat down with Michelle. Since she knew I was ready to pitch Scarcliff, she told me to go ahead and give her my spiel about that. I spent maybe five of my ten minutes describing the novel to her, at which point she requested to see it, too. I said, “Really? Is it actually something you think you would also be interested in?” She said, “Yes, because I know how you write.”

That knocked my socks off. She liked my writing?

She turned the conversation to Once the Darkness Comes. She started by telling me what she thought needed some work, and I nodded along and totally agreed with suggestions for what were actually very minor tweaks. I still had no idea she was about to offer. I mean, I didn’t even fully realize she had finished the book. She’d only had it for three days!

Then she started telling me how much she loved it. She hadn’t slept in those three days because of me. She said the most amazing, flattering, heart-filling things about my book, my story, my writing. I’m pretty sure my head almost exploded.

And then she said she would like to officially offer me representation.

During my pitch session.

Needless to say, we had a moment. It was pretty special. We both teared up. I think that moment is special for every writer, but to have it face-to-face was just incredible.

After I got my wits about me somewhat – time was almost up – I let her know that there were other agents who still had the manuscript and asked her for two weeks to let them get back to me before I gave her my answer. I was totally shaking as we hugged and I zombie-walked out of the pitch room, dazed.

The rest of the conference was surreal. The next two weeks were spent trying not to tweet things like ZOMG YOU GUYS I HAVE THE MOST AMAZING THINGS HAPPENING RIGHT NOW. I ended up with multiple offers, but Michelle’s passion and enthusiasm for my work really shone through (among many, many other things), and I officially signed with her on Friday.

And now I’m the happiest writer in all of the land!

The end. (Which, as we all know, is really just the beginning.)

~*~

On a somewhat related note, I’ve been putting off getting a Facebook page (like an official, public one as a writer) for years now. I promised myself that that’s one of the things I would do once I signed with an agent, so now I have! It’s brand-spankin’ new! If you’d like to get me started, you can go here to like my page. Thanks y’all!

Posted in Updates & Announcements | 38 Comments

Oooo, Puddles!

My blog is this dog, and I’m the little kid who’s like, “Brb, gotta go play in this puddle!” The fun puddle, of course, being Writer Unboxed.

So come play with me! My newest Twitter column is called “Everything You Need to Know About the Retweet.”

Hopefully my blog-doggie won’t mind hanging out for a bit. And hopefully I’ll pick the leash back up next week. (See what I did there? Gif metaphors FTW!)

<3

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Reading Challenges: Friend or Foe?

I wouldn’t say I’m a slow reader, but I’m not fast either. One thing I definitely am, though, is avid. I read as often as I can – as many different things as I can. So it might be nice to read more quickly. It’s a tempting idea, to be able to breeze through my to-read list in books per day instead of books per week. Yet I have long resisted the urge to learn to speed read.

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The problem with speed-reading, as I understand it, is that it’s actually more like speed-skimming. People who read very quickly seem to miss things. They can tell you what the book is about, but they might not be able to tell you how the color of the secondary character’s dress affected them emotionally. They might not even be able to tell you the color of the dress. Because with speed reading, you don’t stop. You don’t pause to think. (Or am I wrong? Any speed readers out there who know differently?)

I’ve talked a little before about writing as a physical thing rather than a passive one. I feel the same way about reading. I like this post by Natalia about marking in books as you read – like a love letter to the work. I like the idea of pausing to respond, of underlining things that seem significant, of stopping to let the impact of a powerful scene sink in before your turn the page. I want to be an active participant.

So maybe this is why I’ve resisted jumping on the “reading challenge” bandwagon. For those of you who don’t know, a reading challenge is exactly what it sounds like. People will set a goal, often 50 books a year, and try to meet it, like a New Year’s resolution. There’s a spot for this in Goodreads, too, where you can keep track of which books you read.

Reading challenges can be wonderful. The main benefit, of course, is a renewed vigor. A refreshed desire to read much and often. It’s a way to rekindle the passion, which I certainly appreciate. It’s all too easy to let a couple weeks go by in between books.

Yet… I’m very anal retentive. If I’m going to do a reading challenge, I’m going to do it right. I’ll count my books, make sure I’m on schedule, and really strive to meet whatever goal I set for myself. And that’s where the problem comes in.

Do reading challenges promote quantity over quality? If I know I have to read fifty books a year, won’t I choose shorter books? I mean, if I pick up Elizabeth Kostova’s 700-page beast The Historian instead of a nice easy paperback, I’m setting myself back at least a week. So then – assuming I don’t have unlimited time to dedicate to reading, which would be awesome – my options become: should I read faster, or should I choose shorter and/or easier books?

Isn’t challenging myself as a reader more important than challenging my reading?

To me, it is. Not to mention that going through Goodreads limits what I can count as “a book.” What about the 7-8 unpublished manuscripts I read last year? They don’t count. What about the literary magazines I try to familiarize myself with? They don’t count. What about all of the stray poems I read online? They don’t count either. But shouldn’t they?

In short, I like the idea behind reading challenges – reinvigorating the love, so to speak – but I don’t like what it does to my choice of materials.

My solution so far has been to maintain reading goals that involve ideas rather than numbers. I aim to always have one novel and one book of poetry going . I’ve noticed that, for me, it’s the time between books that ends up slipping away, so I also have the goal of starting a new book the same day I finish an old one. That way I have to get it out and put a bookmark in it so I don’t get sidetracked. I also aim to read thoughtfully. I try to read widely – a nice blend of heavy, struggle-to-understand literary fiction and fun, edge-of-my-seat commercial fiction. And everything in between.

Those are my goals, and I suppose the drawback to them is that I’m the only one accountable for them, since it’s not a number I can post on Goodreads or my blog. Or maybe that, too, is a good thing. What do you think?

Have you ever participated in reading challenges? Did it work for you? And if you’ve never tried them, what’s holding you back?

Posted in Reading | 24 Comments

A Guest Post + 2 Poems

Hey guys,

It feels weird to continue on in such horrible news. First Boston and now West, which is a small Texas town about an hour and a half south of where I live. Everyone I know is sad right now, myself included. These are days to go dark, spend time with loved ones, and reflect. But of course I have no control over the timing of tragedy, so I hope you’ll understand where my heart is when I share my news and publications with you.

[I’m no expert, but I imagine that unless you’re a first responder or a trained disaster relief worker, staying away (physically) is probably more helpful than driving down to West right now. Last I heard they have serious traffic problems with all of the emergency vehicles. The best information that I’ve gathered, if you’re in the area and wanting to help: you can donate blood at any of these locations or donate funds to The Salvation Army. If you're around Denton, you can also drop off water and goods at UNT.]

I have a guest blog up today at Deep South Magazine. It’s called “The Poetry of Place,” and it’s all about what we often call “landscape poems.” I talk about why poets are drawn to them, what makes them good or weak, and a few tips on how to get inspired to try one of your own. I hope you’ll join me there.

They’ve also published the second of my poems accepted in Southern Voice. “Rust Never Sleeps” is a small poem from my manuscript The Alcoholic’s Daughter, a collection about my dad that I hold close to my heart. Unlike “Nights in Texas,” this one isn’t free verse. It’s actually a single stanza of a form called the ottava rima. The ottava rima is traditionally used for long, epic poems, and using a single stanza is an unusual choice on my part. I hope that you’ll go read it, and that perhaps you’ll agree it served this poem well.

Maybe these Texas poems and post are not so irrelevant, today. Personal and public are all tied up in knots. My heart goes out to West. I think of how every time we drove through we’d eat kolaches at the Czech Stop, where the culture of the area was celebrated through food (is there any other way?). Like so many tiny Texas towns settled by Czech and German farmers, West embraced its heritage. My heritage. I’m Czech and German and I come from Texas farming stock – Neugebauer (the name I got from my dad; yesterday would have been his 58th birthday… knots, see?) actually means “new farmer” in German – and these are my people. These are my people and they’re hurting.

I wish I could do more.

Love and peace,

Annie

Posted in My Works | 15 Comments